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		<title>Tell Me Where I&#039;m Going</title>
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		<link>https://letshearit.network/</link>
		<description>I&#039;m a self described important writer, but I have trouble coming up with ideas, so I&#039;ve turned to crowd sourcing them. Read a new chapter every other week (with bonus author update in between), and YOU can Tell Me Where I&#039;m Going. Go to https://letshearit.network/series/tell-me-where-im-going/ to learn how to participate.</description>
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		<language>en-US</language>
		<copyright>© 2020 Let&#039;s Hear It</copyright>
		<itunes:subtitle>The scripted podcast that you control</itunes:subtitle>
		<itunes:author>Let&#039;s Hear It Network</itunes:author>
					<itunes:type>serial</itunes:type>
					<itunes:summary>I&#039;m a self described important writer, but I have trouble coming up with ideas, so I&#039;ve turned to crowd sourcing them. Read a new chapter every other week (with bonus author update in between), and YOU can Tell Me Where I&#039;m Going. Go to https://letshearit.network/series/tell-me-where-im-going/ to learn how to participate.</itunes:summary>
		<itunes:owner>
			<itunes:name>Chris DeLuca</itunes:name>
			<itunes:email>signups@chrisdeluca.me</itunes:email>
		</itunes:owner>
		<itunes:explicit>clean</itunes:explicit>
					<itunes:complete>yes</itunes:complete>			<itunes:image href="https://letshearit.network/wp-content/uploads/2021/02/tmwig-cover.jpg"></itunes:image>
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				<url>https://letshearit.network/wp-content/uploads/2021/02/tmwig-cover.jpg</url>
				<title>Tell Me Where I&#039;m Going</title>
				<link>https://letshearit.network/</link>
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					<itunes:category text="Fiction">
									<itunes:category text="Comedy Fiction"></itunes:category>
							</itunes:category>
							<itunes:category text="Music">
									<itunes:category text="Music History"></itunes:category>
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							<itunes:category text="Comedy">
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				<item>
					<title>Bonus: Made Up Talk Show Crossover</title>
					<link>https://letshearit.network/podcast/bonus-made-up-talk-show-crossover/</link>
					<pubDate>Tue, 15 Feb 2022 12:15:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=808</guid>
					<description><![CDATA[son of Tell Me Where I'm Going returns in March! Until then, check out the episode I did on our sister show, Made Up Talk Show.]]></description>
					<itunes:subtitle><![CDATA[son of Tell Me Where Im Going returns in March! Until then, check out the episode I did on our sister show, Made Up Talk Show.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																															<content:encoded><![CDATA[
<p>An all new season of Tell Me Where I&#8217;m Going returns in March! Until then, check out the episode I did on our sister show, Made Up Talk Show.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/808/bonus-made-up-talk-show-crossover.mp3" length="651806" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[son of Tell Me Where I'm Going returns in March! Until then, check out the episode I did on our sister show, Made Up Talk Show.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 10 Part 2: A Progressive End</title>
					<link>https://letshearit.network/podcast/chapter-10-part-2-a-progressive-end/</link>
					<pubDate>Fri, 11 Jun 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=510</guid>
					<description><![CDATA[The final part of the final chapter of the Traveling Wilburys solving crime! Plus updates on the future.]]></description>
					<itunes:subtitle><![CDATA[The final part of the final chapter of the Traveling Wilburys solving crime! Plus updates on the future.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>27</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>The final part of the final chapter of the Traveling Wilburys solving crime! Plus updates on the future.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/510/chapter-10-part-2-a-progressive-end.mp3" length="18759873" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[The final part of the final chapter of the Traveling Wilburys solving crime! Plus updates on the future.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 10: A Progressive End</title>
					<link>https://letshearit.network/podcast/chapter-10-a-progressive-end/</link>
					<pubDate>Fri, 04 Jun 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=500</guid>
					<description><![CDATA[The Wilburys finally caught and unveil the killer clown! But will their end be so easy? What secrets will be revealed? Find out...by listening!]]></description>
					<itunes:subtitle><![CDATA[The Wilburys finally caught and unveil the killer clown! But will their end be so easy? What secrets will be revealed? Find out...by listening!]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>26</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>The Wilburys finally caught and unveil the killer clown! But will their end be so easy? What secrets will be revealed? Find out&#8230;by listening!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/500/chapter-10-a-progressive-end.mp3" length="12654507" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[The Wilburys finally caught and unveil the killer clown! But will their end be so easy? What secrets will be revealed? Find out...by listening!]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #17</title>
					<link>https://letshearit.network/podcast/author-update-17/</link>
					<pubDate>Fri, 28 May 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=493</guid>
					<description><![CDATA[Just a little bit more!]]></description>
					<itunes:subtitle><![CDATA[Just a little bit more!]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>25</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Just a little bit more!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/493/author-update-17.mp3" length="566070" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Just a little bit more!]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #16 w/ Grant Glidden</title>
					<link>https://letshearit.network/podcast/author-update-16-w-grant-glidden/</link>
					<pubDate>Fri, 21 May 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=481</guid>
					<description><![CDATA[Grant shares his musical process, and how to party with a 100 year old.]]></description>
					<itunes:subtitle><![CDATA[Grant shares his musical process, and how to party with a 100 year old.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>24</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Grant shares his musical process, and how to party with a 100 year old.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/481/author-update-16-w-grant-glidden.mp3" length="11103448" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Grant shares his musical process, and how to party with a 100 year old.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author Update #15 w/ Chris Bell</title>
					<link>https://letshearit.network/podcast/author-update-15-w-chris-bell/</link>
					<pubDate>Fri, 14 May 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=469</guid>
					<description><![CDATA[Sink into Chris Bell's husband finding chair, and hear who the clown will be unmasked as in the finale of the Traveling Wilburys underground!]]></description>
					<itunes:subtitle><![CDATA[Sink into Chris Bells husband finding chair, and hear who the clown will be unmasked as in the finale of the Traveling Wilburys underground!]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>23</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Sink into Chris Bell&#8217;s husband finding chair, and hear who the clown will be unmasked as in the finale of the Traveling Wilburys underground!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/469/author-update-15-w-chris-bell.mp3" length="16605371" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Sink into Chris Bell's husband finding chair, and hear who the clown will be unmasked as in the finale of the Traveling Wilburys underground!]]></itunes:summary>
															<itunes:explicit>yes</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author Update #14</title>
					<link>https://letshearit.network/podcast/author-update-14/</link>
					<pubDate>Fri, 07 May 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=459</guid>
					<description><![CDATA[Chris revels in life, liberty, and the pursuit of title-jamming.]]></description>
					<itunes:subtitle><![CDATA[Chris revels in life, liberty, and the pursuit of title-jamming.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>22</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris revels in life, liberty, and the pursuit of title-jamming.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/459/author-update-14.mp3" length="1876999" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris revels in life, liberty, and the pursuit of title-jamming.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author Update #13</title>
					<link>https://letshearit.network/podcast/author-update-13/</link>
					<pubDate>Sun, 02 May 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=452</guid>
					<description><![CDATA[Chris breaks down his writing process in detail, and tells YOU where YOU told him he was going with the narrative.]]></description>
					<itunes:subtitle><![CDATA[Chris breaks down his writing process in detail, and tells YOU where YOU told him he was going with the narrative.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>21</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris breaks down his writing process in detail, and tells YOU where YOU told him he was going with the narrative.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/452/author-update-13.mp3" length="15824297" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris breaks down his writing process in detail, and tells YOU where YOU told him he was going with the narrative.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 9: Knitting Factory</title>
					<link>https://letshearit.network/podcast/chapter-9-knitting-factory/</link>
					<pubDate>Fri, 23 Apr 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=447</guid>
					<description><![CDATA[Find out how the Traveling Wilburys try to trap the clown with knitting materials!]]></description>
					<itunes:subtitle><![CDATA[Find out how the Traveling Wilburys try to trap the clown with knitting materials!]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>20</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Find out how the Traveling Wilburys try to trap the clown with knitting materials!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/447/chapter-9-knitting-factory.mp3" length="9174787" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Find out how the Traveling Wilburys try to trap the clown with knitting materials!]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #12 w/ Paige Heimark</title>
					<link>https://letshearit.network/podcast/author-update-12-w-paige-heimark/</link>
					<pubDate>Fri, 16 Apr 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=437</guid>
					<description><![CDATA[Chris shares how YOU chose the clown to be trapped, and an artistic interview with Paige Heimark.]]></description>
					<itunes:subtitle><![CDATA[Chris shares how YOU chose the clown to be trapped, and an artistic interview with Paige Heimark.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>19</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris shares how YOU chose the clown to be trapped, and an artistic interview with Paige Heimark.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/437/author-update-12-w-paige-heimark.mp3" length="10028480" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris shares how YOU chose the clown to be trapped, and an artistic interview with Paige Heimark.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #11</title>
					<link>https://letshearit.network/podcast/author-update-11/</link>
					<pubDate>Fri, 09 Apr 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=424</guid>
					<description><![CDATA[Stop thinking and start telling me how to trap that clown!]]></description>
					<itunes:subtitle><![CDATA[Stop thinking and start telling me how to trap that clown!]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>18</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Stop thinking and start telling me how to trap that clown!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/424/author-update-11.mp3" length="1779197" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Stop thinking and start telling me how to trap that clown!]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 8: Mole Town Blues</title>
					<link>https://letshearit.network/podcast/chapter-8-mole-town-blues/</link>
					<pubDate>Sat, 03 Apr 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=412</guid>
					<description><![CDATA[The band runs from the killer clown, and revisits the past while looking to the future. Cool, huh?]]></description>
					<itunes:subtitle><![CDATA[The band runs from the killer clown, and revisits the past while looking to the future. Cool, huh?]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>18</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>The band runs from the killer clown, and revisits the past while looking to the future. Cool, huh?</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/412/chapter-8-mole-town-blues.mp3" length="11936230" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[The band runs from the killer clown, and revisits the past while looking to the future. Cool, huh?]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #10</title>
					<link>https://letshearit.network/podcast/author-update-10/</link>
					<pubDate>Fri, 02 Apr 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=410</guid>
					<description><![CDATA[Hang in there!]]></description>
					<itunes:subtitle><![CDATA[Hang in there!]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>17</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Hang in there!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/410/author-update-10.mp3" length="548094" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Hang in there!]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #9 &#8211; with Jessica Coyle</title>
					<link>https://letshearit.network/podcast/author-update-9-with-jessica-coyle/</link>
					<pubDate>Fri, 26 Mar 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=403</guid>
					<description><![CDATA[Chris talks to Jessica Coyle about her creative process, and reveals the results of the voting on what direction the story will take.]]></description>
					<itunes:subtitle><![CDATA[Chris talks to Jessica Coyle about her creative process, and reveals the results of the voting on what direction the story will take.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>16</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris talks to Jessica Coyle about her creative process, and reveals the results of the voting on what direction the story will take.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/403/author-update-9-with-jessica-coyle.mp3" length="10510931" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris talks to Jessica Coyle about her creative process, and reveals the results of the voting on what direction the story will take.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author Update #8</title>
					<link>https://letshearit.network/podcast/author-update-8/</link>
					<pubDate>Fri, 19 Mar 2021 09:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=397</guid>
					<description><![CDATA[Chris shares some exciting news.]]></description>
					<itunes:subtitle><![CDATA[Chris shares some exciting news.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>15</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris shares some exciting news.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/397/author-update-8.mp3" length="4075046" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris shares some exciting news.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 7: Passion Underground</title>
					<link>https://letshearit.network/podcast/chapter-7-passion-underground/</link>
					<pubDate>Fri, 12 Mar 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=387</guid>
					<description><![CDATA[Bob Dylan and Jeff Lynn find out a little bit about themselves in this steamy episode! Also, the unexpected and unwanted keeps happening.]]></description>
					<itunes:subtitle><![CDATA[Bob Dylan and Jeff Lynn find out a little bit about themselves in this steamy episode! Also, the unexpected and unwanted keeps happening.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>14</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Bob Dylan and Jeff Lynn find out a little bit about themselves in this steamy episode! Also, the unexpected and unwanted keeps happening.</p>



<details>
<summary>Transcript</summary>
<div class="screenplay">
<div class="action"><p>…the fake Bob and Jeff sprinted into the chamber, running straight into their real counterparts. Too started to scream, the pairs stared at each other for a moment, then in strange unison, they grabbed each other by the temples, then they all kissed passionately.</p></div>
<div class="action"><p>The cultists, the groupies, the rest of the band, and Eddie money all stared at Bob Dylan and Jeff Lynn making out with their doppelgangers in shock. So much wild stuff had happened so fast, it was hard to keep track. First, Dixie had escaped while everyone was distracted with an cult-devised ironic tests. Second, they were suddenly reunited with the groupies, and the ladies didn&#8217;t seem to know there was anyone in the room. Third, they discovered that there were two Bob Dylans and Jeff Lynns. And last, Bob and Jeff were now macking on themselves. All this in the span of 30 seconds. It was enough to make your head spin.</p></div>
<div class="action"><p>The kissing lasted. And lasted. And lasted. No simple peck on the lips, the Bobs were caressing each other&#8217;s backs while the Jeffs had clearly graduated to tongue. Wet smacks echoed in the otherwise silent cavern. Jeff had just lifted Jeffs leg, and was ducking him into a swoon position before Tom interjected.</p></div>
<div class="dialog"><p class="character">TOM</p><p>If this is research for a concept album, it sucks!</p></div>
<div class="action"><p>There was a thick popping sound as the Jeffs pulled their lips apart.</p></div>
<div class="dialog"><p class="character">JEFF</p><p>You&#8217;re just jealous that you haven&#8217;t found true love with yourself, like me and Jeff Lynn!</p></div>
<div class="action"><p>Cried Jeff Lynn.</p></div>
<div class="dialog"><p class="character">TOM</p><p>How is that possible? You just met!</p></div>
<div class="dialog"><p class="character">JEFF</p><p>I&#8217;ll have you know, that I&#8217;ve known myself my entire life!</p></div>
<div class="dialog"><p class="character">GEORGE</p><p>In England, we call that a &#8220;wanker&#8221;.</p></div>
<div class="dialog"><p class="character">JEFF</p><p>Shut up! You&#8217;re jealous, too, George! You&#8217;re all jealous! You won&#8217;t recognize the love between a man and that same man because you can&#8217;t stand it that for once, old Jeff Lynn got something that you all didn&#8217;t.</p></div>
<div class="dialog"><p class="character">GEORGE</p><p>Bob got the same thing. Actually, it looks like he&#8217;s getting a little more, if you know what I mean.</p></div>
<div class="dialog"><p class="character">JEFF</p><p>Shut your face, Harrison! We&#8217;ve chased that clown, we&#8217;ve searched for Dixie, we got scared by stuffed animals, we got taken in by Eddie Money, we ran through that horrible sunken fairground, we got scared by our own mismatched reflections in the mirror maze, which, upon reflection, must have just been my love, Jeff Lynn, staring back at Bob, and vice versa. For once, something incredible has happened in this hellish underground world. We&#8217;ve been attacked and accosted and humiliated this whole time, and now, I found love. Not the complicated love between two people, but the simple love between one person, but <em>made flesh</em>, and damn it, Jeff and I, we&#8217;re getting married. Isn&#8217;t that right, Jeff? No, don&#8217;t speak, I already know my answer, I&#8217;m marrying myself.</p></div>
<div class="action"><p>Just then, Bob Dylan let out a cry of dismay from the cavern floor, jumping to his feet and clutching a curly-hair wig. Bald, the other &#8220;Bob Dylan&#8221; slowly got to his feet, hanging his head, and tearing off his fake beard. Tom slapped his forehead.</p></div>
<div class="dialog"><p class="character">TOM</p><p>Right, right, they&#8217;re not the same person. That makes more sense.</p></div>
<div class="action"><p>Jeff Lynn looked wide-eyed at his counterpart.</p></div>
<div class="dialog"><p class="character">JEFF</p><p>No, wait…</p></div>
<div class="action"><p>Desperate, Jeff pulled at Jeffs hair and beard, both coming off easily, revealing a man who didn&#8217;t even look a bit like Jeff Lynn.</p></div>
<div class="dialog"><p class="character">JEFF</p><p>No! You lied to me! I thought you were me! Now you&#8217;re just another you! Nooooo!</p></div>
<div class="dialog"><p class="character">BOB</p><p><strong><em>*******</em></strong>!</p></div>
<div class="action"><p>Bob screamed at &#8220;Bob&#8221;, hurtfully. Bob&#8217;s one-time double curled his lip in anger, and in a petty attempt at revenge, snatched at Bob Dylan&#8217;s &#8216;fro. To his surprise, it came away in his hands. He stared in disbelief at the one and only Bob Dylan&#8217;s hair, the iconic curls tangling his fingers. For the first time in his life, Bob Dylan spoke clearly.</p></div>
<div class="dialog"><p class="character">BOB</p><p class="parenthetical">(last word unintelligible)</p><p>That&#8217;s my wig, motherfucker!</p></div>
<div class="action"><p>Everyone in the cavern looked in amazement at Bob Dylan. All this time, what he had been hiding under his afro wig was…a larger afro. George shrugged.</p></div>
<div class="dialog"><p class="character">GEORGE</p><p>That&#8217;s Dylan for you.</p></div>
<div class="action"><p>Before Bob and Jeff could descend deeper into heartbreak, a shadow descended over the cavern. In fact, it was multiple shadows. Across the alter, twisted strands of tentacled darkness wormed outwards. Some cultists gasped in recognition, others voices caught in their their throats, but everyone in the cavern was riveted in place, staring transfixed at the otherworldly phenomena. For a moment, the world felt suspended in motion, the inhale of breath held keeping whatever terror oozed from the slithering shadows at bay. Then everything happened all at once.</p></div>
<div class="action"><p>George Harrison dropped to his knees in prayer, Jeff Lynn crawled under a rock, Bob Dylan bit a passing cultist, Roy Orbison threw up, Tom Petty ripped off his clothes, Connie ran through the chaos as if nothing was happening, Yuna threw a plastic figurine at the alter, Belinda squawked like a chicken, Eddie Money blew violent snot rockets, and the fake Bob and Jeff started making out with each other.</p></div>
<div class="action"><p>And then, things got really crazy.</p></div>
<div class="action"><p>But before we get into that, let&#8217;s dig into why all these people reacted the way they did.</p></div>
<div class="action"><p>George Harrison had always been on a journey of the soul, seeking an understanding of the chaos of the world through a connection with a higher power. While he explored many spiritual paths, his most notable was his association with the Hari Krishnas specifically and Eastern philosophy in general. This spiritual focus was evident in the later Beatles years, but really came to the fore when Harrison went solo, most famously with his 1970 number one single My Sweet Lord.</p></div>
<div class="action"><p>When George saw the black tentacles slithering from the alter, the song immediately came to mind. In it, Harrison pleads, &#8220;My sweet lord, I really want to see you,&#8221; as true and personal a statement as any George ever made. Now, looking at the creeping darkness, and realizing that anything of this otherworldly presence must be some form of the higher power he had been seeking all this time, George wasn&#8217;t sure his lord was so sweet, or that he still wanted to meet. His collapse to his knees was to pray for a unilateral take-backsies on the whole meeting God trip, and to once again apologize for ripping off The Chiffons on My Sweet Lord.</p></div>
<div class="action"><p>Jeff Lynn was a coward. Always had been. Like any character flaw, there was a good reason for this traceable to a single anecdote from early childhood. It happened when a five year old Jeff was walking a filthy Birmingham back ally, and a group of toughs jumped from behind a trash pile and said &#8220;boo&#8221;. He never recovered.</p></div>
<div class="action"><p>Now, staring down the most horrifying thing he&#8217;d ever seen, Jeff remembered the old cliché insult for ignorance involving living under a rock, and thought that sounded safe.</p></div>
<div class="action"><p>We come to Bob Dylan, who after seeing the spreading darkness, snarled and bit a passing cultist. This may seem animalistic, and borderline insane, but again, there&#8217;s a reasonable explanation considering the artist&#8217;s textured history: Bob&#8217;s a maverick.</p></div>
<div class="action"><p>When Roy Orbison was a young man playing songs on his six string to anybody who would listen, he used to swim in the Pease river during the sweltering Texas summers. One day while thusly engaged, he noticed dark splotches wriggling towards him from upstream. He frowned, lowering his dark sunglasses to be sure; yes, it was unmistakable, jet black tentacles blooming through the water, coming straight for him. He tried to swim back to shore, but the distance was too far &#8211; the inky substance caught him, wrapping him up. A strong swimmer, Orbison moved powerfully through the water, but the goop was heavy, weighing him down, his head ducking below the water once, twice, three times, covering his face in the slime. Panting and retching, Roy finally made it to shore. He might have died from heat stroke had a neighbor not happened by and took him to a hospital. Even after he was cleaned up and hydrated, Roy caught a strange illness, becoming violently sick for nearly a week.</p></div>
<div class="action"><p>Roy would eventually learn that an oil tank had cracked up river, spilling it&#8217;s black guts into the Pease, and he was lucky to be alive. The experience left a indelible impression on him. The similarity with what he was currently seeing and that experience in the river all those years ago would have gone a long way to explaining why Roy was barfing, however Roy couldn&#8217;t actually see the shadows through his dark sunglasses this far underground. Instead, the throw up was caused by eating some expired cotton candy back in the sunken fairground, and it came up now purely by chance.</p></div>
<div class="action"><p>The intensity of seeing this otherworldly phenomena sent Tom Petty into another acid flashback. Instead of sending him to Honduras selling tortas like normal, he was sent back to the time he told Eddie Money about his previous acid flashback where he did sell tortas in Honduras. This then reminded Tom of Eddie Money peeing on his equipment, which he then remembered didn&#8217;t happen; it was actually Linda Ronstadt. That memory correction sent him into a related acid fiction where Linda was currently peeing all over him, which was one of the few fetishes he didn&#8217;t have. Disgusted, Tom stripped off his pee-soaked clothes, spitting the singer songwriter&#8217;s urine out as he did so. Obviously, none of this was actually happening, so he just looked like he immediately decided to get naked, while in seeming disgust of his own choice, and inexplicably spitting.</p></div>
<div class="action"><p>Connie was tripping. Tripping hard. The psychotropic cocktail Martin Scorsese had given her was so powerful, the hallucination wrapped almost all the way back around to straight. Almost. Instead of seeing things that weren&#8217;t there, she didn&#8217;t see things that were there, namely any of the fifty odd people in the cavern or the slithering shadow tentacles. Single-minded in her mission to find Dixie, she sprinted across the cavern towards one of the many exit passages. The cultists were running around in a mad scrum, a writhing crowd without direction, all screams and flailing limbs and the occasional cry of &#8220;Krokenow arrives!&#8221;</p></div>
<div class="action"><p>Amidst that chaos, it would be natural to assume that Connie would run into at least one, if not most of, the cultists on her way through the room. And yet, Connie had been to so many shows and been in so many raucous crowds, that even though her concious mind didn&#8217;t perceive them, some part of her was aware of her surroundings, and she deftly navigated the mass of people untouched. Equally astounding, she happened to run down the same passage Dixie had chosen minutes before.</p></div>
<div class="action"><p>Yuna pulled out the plastic figure she had found hours before outside the Zamboni locker. She had felt a presence in the figure, and felt the need to have it now in light of all the darkness. Yuna had always felt connections to things, people, and events she couldn&#8217;t explain. This was partly because she had a limited vocabulary, but mostly because the events were mysterious.</p></div>
<div class="action"><p>Once, when she was in a hotel room with Phil Collins, she had a premonition that she was meant to be in the next room. Stopping everything, much to Phil&#8217;s dismay, she followed her instinct, and low and behold, there in the next room was Peter Gabriel. How did her intuition know? Genesis broke up shortly after.</p></div>
<div class="action"><p>Another time, Yuna got the distinct sense that one of Mott the Hoople&#8217;s microphones would somehow cause a death. She threw it into a lake, and the very next day, no one died.</p></div>
<div class="action"><p>Now, holding this figure that was mysteriously at the site where The Wilbury&#8217;s had originally disappeared, and looking at it more closely, kind of looked a lot like George Harrison, the mysterious connection was clear. This figure was mysterious, and this creeping inky darkness was mysterious. Two plus two equals throw it.</p></div>
<div class="action"><p>She chucked the figurine at the alter with a combination battle cry and terror yelp. The mystery perfectly explaining her actions. She also was on all the same drugs as Connie, so that could have had something to do with it, too.</p></div>
<div class="action"><p>Meanwhile, Belinda was clucking like a chicken and throwing dirt and gravel in the air. She had also taken all the same drugs as Connie and Yuna, but they hadn&#8217;t kicked in yet. Throughout her life, Belinda had a history of being one step behind on social cues, like in fifth grade when she showed up to Becky Sander&#8217;s Halloween party without a costume, or when she arrived late to her cousin Trudie&#8217;s wedding as the Wolfman. She wasn&#8217;t going to be the weird one this time. Everyone else was doing a random, inexplicable thing, and so was she. Chicken.</p></div>
<div class="action"><p>Eddie Money was convinced he had snorted contaminated cocaine again. In 1980, Eddie had overdosed on a barbiturate he mistook for cocaine, gifting him with a permanent limp. He vaguely remembered seeing some strange shadow-y visions while on that trip, so he was blowing his nose as hard as he could to try and get the bad snow out. Unfortunately for everyone near him, Eddie hadn&#8217;t done coke in eight years, and there was nothing up his nose except snot. And a lot of it. So much. More than you&#8217;d think. Here&#8217;s an exercise: pause this podcast, and write down a number. I&#8217;ll wait. Okay, have you got your number? Whatever you wrote down, Eddie had more snot up his nose than that. Or less, depending on how high you went.</p></div>
<div class="action"><p>The fake Bob Dylan and Jeff Lynn, real names unknown, had been in deep with the cult for years. Obsessed with the artists they assumed the identities of, they discovered their shared interests after sitting next to each other during a workshop on inserting satanic messages into popular music. The pair started spending more time together, talking late into the night about their dreams. One such night they came up with the idea to impersonate Bob and Jeff to feel closer to their idols; they figured they could sell it to the cult brass as a way to infiltrate The Traveling Wilburys.&nbsp; To their surprise, the supreme leader went for it, and pushed it as a top priority. Training for months in deep character, the duo never could lose their prominent southern accents, so the cult leadership had them lean into it. Fortunately, both Bob and Jeff had country phases, so all hoped dressing that part would be enough to sell the effect. All was going well, and the two were giddy with excitement as the Wilbury&#8217;s tour approached New Jersey.</p></div>
<div class="action"><p>Much to everyone&#8217;s surprise, the band literally fell into their turf, accelerating the plan. Things started going wrong when the two tried to get close to their idols in the mirror maze, pretending to be reflections, and accidentally appeared across from the wrong Wilbury. The real Bob and Jeff ran away screaming, breaking the imposter&#8217;s hearts. They almost abandoned the mission and the cult right then, but a cultist, unaware of the incident, had tipped them off about the groupie&#8217;s location, rightly thinking it could be a prime opportunity to pass themselves off as the musicians without fear of the real ones showing up.</p></div>
<div class="action"><p>After moving into position the Wilburys caused the cave in, and the rest is history. Literally running into their idols again only moments ago, it could have easily been a repeat of the mirror maze. Yet this time, instead of running in fear, the fake Jeff and Bob were met with unbridled love. It was like a dream come true for both of them, an unspoken acknowledgement of feelings deeply held.</p></div>
<div class="action"><p>As soon as it started it came crashing down. The real Jeff and Bob weren&#8217;t in love with the impersonators, they were in love with themselves, and the two were once again left heartbroken. Yet now as these dark tentacles crept towards them, shattering any norm that may have stood in their way, they wordlessly realized it wasn&#8217;t their idols Bob and Jeff who they were in love with, it was each other. If they were going out, to hell with it, they might as well die happy.</p></div>
<div class="action"><p>And that&#8217;s why everyone reacted the way they did, right before things got really crazy.</p></div>
<div class="action"><p>The crazy started with George Harrison holding up a Bob Dylan wig.</p></div>
<div class="dialog"><p class="character">GEORGE</p><p>Everyone stop, it&#8217;s okay! There&#8217;s no sweet lord in the form of black tentacles coming to get us! See? It&#8217;s just a shadow cast by this curly wig, and the movement is from the flickering torchlight! Watch, I&#8217;ll make it stop.</p></div>
<div class="action"><p>George threw away the wig. The tentacles still writhed toward the crowd. Panic rumbled up.</p></div>
<div class="dialog"><p class="character">GEORGE</p><p>Wait, wait, there&#8217;s still no reason to panic. There were two Bob Dylan&#8217;s, so there&#8217;s another curly wig out there casting the shadow. From the looks of it, it must be coming from that outcropping back there.</p></div>
<div class="action"><p>There was a murmur of relief, until Eddie Money groaned.</p></div>
<div class="dialog"><p class="character">EDDIE</p><p>No, I have the other wig, and I&#8217;m not at that outcropping!</p></div>
<div class="action"><p>He threw it away, and the tentacles still came forward.</p></div>
<div class="dialog"><p class="character">EDDIE</p><p>Either there&#8217;s a <em>third</em> wig, or those tentacles are real!</p></div>
<div class="dialog"><p class="character">GEORGE</p><p>Oh my sweet lord.</p></div>
<div class="action"><p>Everyone was inhaling to fully panic again, when the tentacles vanished. Before anyone could be relieved, the now one-armed and somehow still-alive killer clown jumped from behind the outcropping, his ratty, tentacle-like green curly wig swaying atop his head.</p></div>
<div class="action"><p>A bloody grin was plastered across his face.</p></div>
<div class="dialog"><p class="character">CLOWN</p><p>Hi there.</p></div>
<div class="action"><p>In The moment before everyone ran screaming in all directions, the clown ripped open his shirt, revealing…</p></div>
</div>
</details>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/387/chapter-7-passion-underground.mp3" length="14591772" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Bob Dylan and Jeff Lynn find out a little bit about themselves in this steamy episode! Also, the unexpected and unwanted keeps happening.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #7</title>
					<link>https://letshearit.network/podcast/author-update-7/</link>
					<pubDate>Fri, 05 Mar 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=381</guid>
					<description><![CDATA[Chris shares the exciting results of this week&#8217;s story suggestion poll, and more!]]></description>
					<itunes:subtitle><![CDATA[Chris shares the exciting results of this week&#8217;s story suggestion poll, and more!]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>13</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris shares the exciting results of this week&#8217;s story suggestion poll, and more!</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/381/author-update-7.mp3" length="4687774" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris shares the exciting results of this week&#8217;s story suggestion poll, and more!]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #6</title>
					<link>https://letshearit.network/podcast/author-update-6/</link>
					<pubDate>Fri, 26 Feb 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=371</guid>
					<description><![CDATA[Do a deep dive into the original concept for George Harrison&#8217;s first solo album, All Things Must Pass.]]></description>
					<itunes:subtitle><![CDATA[Do a deep dive into the original concept for George Harrison&#8217;s first solo album, All Things Must Pass.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>12</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Do a deep dive into the original concept for George Harrison&#8217;s first solo album, All Things Must Pass.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/371/author-update-6.mp3" length="6606028.8" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Do a deep dive into the original concept for George Harrison&#8217;s first solo album, All Things Must Pass.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>12:38</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 6: Ritual Habits</title>
					<link>https://letshearit.network/podcast/chapter-6-ritual-habits/</link>
					<pubDate>Sat, 20 Feb 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=362</guid>
					<description><![CDATA[The band tries to talk their way out of a cult and save their humility, Dixie vents her anger, and Bob Dylan does battle with a very special opponent.]]></description>
					<itunes:subtitle><![CDATA[The band tries to talk their way out of a cult and save their humility, Dixie vents her anger, and Bob Dylan does battle with a very special opponent.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>11</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>The band tries to talk their way out of a cult and save their humility, Dixie vents her anger, and Bob Dylan does battle with a very special opponent.</p>



<details>
<summary>Transcript</summary>
<div class="screenplay">
<div class="action"><p>Dixie sat up straight, pulling against her restraints and in a clear voice said&#8230;</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>Alright perverts, fun&#8217;s over!</p></div>
<div class="action"><p>The cultists quieted down, wearing shocked expressions. Clearly they had not been expecting any outbursts. Then, the realization of what Dixie actually said rolled over the crowd, and the cavern echoed with a swell of indignant muttering.</p></div>
<div class="dialog"><p class="character">CULTIST 1</p><p>She can&#8217;t say we&#8217;re perverted, that&#8217;s a value judgement.</p></div>
<div class="dialog"><p class="character">CULTIST 2</p><p>Pervert? Really? She&#8217;s one to talk, the kinky harlot.</p></div>
<div class="dialog"><p class="character">CULTIST 3</p><p>Yeah, we&#8217;re not perverts. Now we have to start the ritual over. Let&#8217;s take it from the pouring of lambs blood on our genitals.</p></div>
<div class="action"><p>A cultist in the back stood, holding up a cult recruitment pamphlet.</p></div>
<div class="dialog"><p class="character">CULTIST 4</p><p>I am offended, madam! <em>Some</em> of us joined this sex cult for the articles!</p></div>
<div class="action"><p>A pious round of here-heres followed.</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>Shut up, you hooded little creeps.</p></div>
<div class="action"><p>Dixie hollered.</p></div>
<div class="dialog"><p class="character">CULTIST 4</p><p>Hey, you can&#8217;t say that. I don&#8217;t have a hood.</p></div>
<div class="action"><p>Dixie ignored him, noticing the band.</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>Oh my Gawd, is that the Traveling Wilburys back there? I thought I&#8217;d never get to see you guys after that clown sliced me, but then again, I never thought I&#8217;d get sliced by a clown, so just goes to show ya. Well, come on guys, untie me.</p></div>
<div class="action"><p>The crowd of cultists turned, parting ranks until the entire room was starting at Tom, George, Jeff, Bob, and Roy. The band shrunk back, worriedly glancing over the mostly hooded faces, not daring to move. Another cultist spoke up, peering over her glasses.</p></div>
<div class="dialog"><p class="character">CULTIST 5</p><p>No, come on, that&#8217;s not The Traveling Wilburys. We&#8217;ve wanted them for a ritual for a long time, and these guys are way too old to be the Wilburys.</p></div>
<div class="action"><p>The band frowned, vanity momentarily taking over their fear, except for Jeff Lynn, whose fear remained at an apex. He leaned into the lie.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>That&#8217;s right, we&#8217;re not the Traveling Wilburys, and we have really no reason to be here, no sir, so no reason to put us in whatever ritual, no sir. We&#8217;re just lost travelers looking for a way out. Being travelers is just about the only thing us and the Wilburys have in common. You said it yourself, we&#8217;re just too old to be the Traveling Wilburys. I mean, look at us, we&#8217;re ancient, and those guys are super young, and relevant, and amazing musicians, and great in bed. But we&#8217;re not any of those things. We&#8217;re older than dirt. We&#8217;re older than dust. We&#8217;re older than the dust brothers.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Oh, that one&#8217;s true.</p></div>
<div class="action"><p>Said Tom Petty. Jeff Lynn continued; he was on a roll.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>We&#8217;re older than rock and roll. We&#8217;re older than the blues. We&#8217;re older than music. We&#8217;re so old, we think all music is a dangerous influence on the youth. Even opera. Especially opera. Look how much I&#8217;m rambling? That <em>proves</em> I&#8217;m old. We all are. I&#8217;m the youngest, though.</p></div>
<div class="action"><p>The cultist who had spoken before rubbed her forehead, not in the mood to pick apart an old man&#8217;s ramble.</p></div>
<div class="dialog"><p class="character">CULTIST 5</p><p>Yep, got it, you&#8217;re not the Traveling Wilburys. We need to get back to the ritual, so can someone show these losers the way out?</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>Woohoo!</p></div>
<div class="action"><p>Whooped Jeff Lynn, not hearing the part about being a loser. The rest of the band did, however, but grinned anyway; they were getting out.</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>Liars! Liaaaars! You Traveling Liar Berries!</p></div>
<div class="action"><p>Accused Dixie, spitting from her place tied to the alter. George Harrison looked guilty, and was about to say something, but Jeff Lynn cupped a hand over his mouth and started herding the band towards the exit.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>Thank you all for your wise decision. Pay no attention to her. Sacrifices, always flapping their gums, am I right?</p></div>
<div class="action"><p>The cultists all chuckled in agreement, the sound mixing ominously with Dixie&#8217;s scream of rage.</p></div>
<div class="dialog"><p class="character">EDDIE MONEY</p><p>What are you guys talking about?</p></div>
<div class="action"><p>Eddie Money asked, genuinely confused. The Wilburys turned, having&nbsp; momentarily forgotten about Eddie. The musician and their former friend&#8217;s cult robes did not paint a comforting picture.</p></div>
<div class="dialog"><p class="character">EDDIE MONEY</p><p>You <em>are</em> the Traveling Wilburys. I&#8217;ve known you all for years. I saw you only a few hours ago. We were talking just now. And yeah, none of us are spring chickens anymore, but you&#8217;re not older than music. That&#8217;s ridiculous. Besides, none of that has anything to do with why you&#8217;re here, which you all said several times was to rescue Dixie.</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>Awwww, really?</p></div>
<div class="action"><p>Dixie yelled from the alter.</p></div>
<div class="dialog"><p class="character">EDDIE MONEY</p><p>Yeah, absolutely. Although, come to think of it, that does make you guys interlopers, technically speaking, so you should all probably stick around.</p></div>
<div class="action"><p>The cultists growled obscenities at the Wilburys, pushing the band through their ranks towards the alter.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>You sold us out again, Eddie!</p></div>
<div class="action"><p>Yelled Tom Petty.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>First, you conveniently disappeared right before I got jumped by that clown, making up that lame excuse about having to brush your teeth, and now <em>this</em>!</p></div>
<div class="action"><p>Eddie looked concerned.</p></div>
<div class="dialog"><p class="character">EDDIE MONEY</p><p>Oh my God, I didn&#8217;t know you got jumped by that clown, I feel horrible. But I did have to brush my teeth. Dog breath is no joke, for real.</p></div>
<div class="action"><p>He said, gargling mouthwash before spitting it into his ceremonial goblet, and the Wilburys were unceremoniously shoved onto the alter.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>Don&#8217;t worry, lads.</p></div>
<div class="action"><p>Said George Harrison, as they picked themselves up.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>We can take solace that we eventually didn&#8217;t run away, so our karmic debt is paid.</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>Oh wow, I&#8217;m so grateful. Maybe you can use your late-breaking morality to untie these knots?</p></div>
<div class="action"><p>Dixie scoffed.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>Ooh, ya burnt, Harrison!</p></div>
<div class="action"><p>Hooted Jeff Lynn.</p></div>
<div class="dialog"><p class="character">DIXIE</p><p>You&#8217;re all burnt.</p></div>
<div class="action"><p>Shouted Dixie.</p></div>
<div class="dialog"><p class="character">HUNCHED CULTIST</p><p>Silence!</p></div>
<div class="action"><p>Cried a hunched, hooded cultist. Everyone got quiet.</p></div>
<div class="dialog"><p class="character">HUNCHED CULTIST</p><p>Sorry, I mean &#8220;Silas,&#8221; not &#8220;Silence.&#8221; Brother Silas, please pass judgement on these trespassers.</p></div>
<div class="action"><p>An old man hobbled to the alter, milky eyes half-fixed on the band, half beyond fixing.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>According to the bylaws, trespassers must be dropped into the lake of fire.</p></div>
<div class="action"><p>A gasp went up from the cultists.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>We&#8217;re gonna be literally burnt!</p></div>
<div class="dialog"><p class="character">SILAS</p><p>If only. Unfortunately, the lake of fire died out years ago, and now all that&#8217;s left is a relaxing hot spring. If we dropped them in there, we&#8217;d be obeying the letter of the law, but not the spirit; punishment is key.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>Oh, come on!</p></div>
<div class="action"><p>Yelled Jeff Lynn.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Don&#8217;t worry, it&#8217;s not perfect, but I have a solution: we just bash their heads in with sticks.</p></div>
<div class="action"><p>A cheer went up from the cultists, along with a terrified groan from the band. Tom Petty cut threw the noise.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Wait just a minute! Beating our heads in with sticks isn&#8217;t in the bylaws at all, is it?</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Well, no, not exactly&#8230;</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Exactly. You may want to follow the spirit of the law, but you can&#8217;t just invent new ones. Can you?</p></div>
<div class="action"><p>Old man Silas frowned, shook his head. Tom Petty looked relieved.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Thank God. We&#8217;re not bothering anyone, just let us take a hot spring dip, let Dixie come back with us, and we&#8217;ll be out of your hair. Everybody wins.</p></div>
<div class="action"><p>Immediately, screams of dissent filled the cavern, the gist of which was that the cultists did not feel like this a win.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>You can&#8217;t take Dixie, if that is her real name, because we need her for the ritual. Even suggesting that makes me want to beat the hell out of you with a stick.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Okay, let&#8217;s just chill for a second. What if we played a concert for you? We can&#8217;t do that if we&#8217;re dead.</p></div>
<div class="action"><p>Old man Silas shrugged.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Eh, you&#8217;re too old. I think we&#8217;ll just hit you with sticks, thanks all the same.</p></div>
<div class="action"><p>The cultists started jumping up and down, chanting something that sounded like English, but that was still somehow indecipherable. Maybe because of the jumping.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>We&#8217;re all gonna die!</p></div>
<div class="action"><p>Cried Jeff Lynn, unnecessarily.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>Wait, wait!</p></div>
<div class="action"><p>Shouted George Harrison over the din, managing to quiet the cultists down enough to speak.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>Now, you have something we want, namely Dixie and our lives, that&#8217;s true. However, we also have something you want. Something besides music that you can&#8217;t get if we&#8217;re dead. We&#8217;re some of the biggest rock and rollers in history, and each of us has tons of influential connections. That&#8217;s something groups like yours are always after, yes?</p></div>
<div class="action"><p>There was a murmur of consent.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>But we can&#8217;t both have what we want. The only fair way to choose who gets the pie is to have a contest. Surely there&#8217;s something in your bylaws that provides for this?</p></div>
<div class="action"><p>Old man Silas tugged at his milky ear, which leaked milk.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Well, there are the statutes providing for devilishly ironic trials inflicted on interlopers, I suppose that sort of fits.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>I don&#8217;t like the sound of this</p></div>
<div class="action"><p>Said Jeff Lynn.</p></div>
<div class="dialog"><p class="character">BOB DYLAN</p><p>sdlkjfsaldkjfsd!</p></div>
<div class="action"><p>Howled Bob Dylan. The crowd was chanting, &#8220;trials!&#8221; over and over, although with how generally incomprehensible they were, it could just have easily been &#8220;smiles&#8221; or &#8220;ploughshares&#8221; or &#8220;egg salad&#8221;.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>It is decided!</p></div>
<div class="action"><p>Shouted old man Silas.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Each of you will be given your own trial. Best out of five. Starting&#8230;now.</p></div>
<div class="action"><p>And with those words, he jumped a gallon jug of milk on his head. The cultists cleared an area in the middle of the cavern, forming a human ring surrounding the Traveling Wilburys.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Since you made the deal, you will have the first challenge, George Harrison. You are the dark horse, the quiet Beatle, and a vegetarian. In a cruel twist on only that last one, your challenge&#8230;is to eat this bacon!</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Alright!</p></div>
<div class="action"><p>Cried Tom Petty.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Easy peasy, Harrison, you can hit the diet again tomorrow.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>No!</p></div>
<div class="action"><p>Yelled George.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>Eating flesh is against my religion, and would despoil my bodily temple. I refuse.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Excellent, you lose. One point for us.</p></div>
<div class="action"><p>Tom Petty was furious.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>You idiot! It&#8217;s one piece of bacon! What&#8217;s wrong with you?</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>What&#8217;s wrong with factory farming, more like!</p></div>
<div class="action"><p>George rejoined.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>We&#8217;re all gonna die!</p></div>
<div class="action"><p>Cried Jeff Lynn, still unnecessarily.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Next, we will test Mr Tom Petty.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Oh man, I am not ready for this.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Tom, you sing that famous line, &#8220;And I won&#8217;t back down.&#8221;</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>It&#8217;s pronounced, &#8220;deeeeaaaoooown&#8221;</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Regardless, to pass our challenge, you <em>must</em> back down&#8230;this steep cliff! No looking behind you and no falling over. Good luck!</p></div>
<div class="action"><p>Tom was pushed back first to the edge of a steep subterranean decline.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Now hold on a second, I don&#8217;t&#8230;</p></div>
<div class="action"><p>Started Tom, but before he could finish the thought, the gravel under his feet gave way and he slid backwards on a small avalanche, screaming all the way down to the bottom, arriving in a cloud of rock dust. Someone, he was unharmed and upright, not having the time to even think about looking behind him.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>I&#8217;m alive!</p></div>
<div class="action"><p>He cried, overjoyed.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>We&#8217;re all still gonna die!</p></div>
<div class="action"><p>Yelled Jeff after him.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>One point for the Traveling Wilburys.</p></div>
<div class="action"><p>Said old man Silas, unhappily.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Let&#8217;s move on. Roy Orbison, you&#8217;re famous for your heart wrenching ballads and dark sunglasses, but can you make someone cry&#8230;with only your eyes? Staring contest, whoever cries first loses. You&#8217;ll be facing sister stone heart.</p></div>
<div class="action"><p>Roy and the afore mentioned stone hearted sister sat opposite each other. Both removed their sunglasses, and stared into each other&#8217;s eyes. And stared. And stared. And stared. And stared. And stared. Then, Roy&#8217;s lip trembled, and sister stone heart&#8217;s eyes welled, and they both burst out crying, hugging each other through big, wracking sobs.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Well, uh, that&#8217;s a tie, I guess.</p></div>
<div class="action"><p>Announced old man Silas, disgusted.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>We have one for each side and a tie, and only two more Wilburys to test. We could get into an all tied situation, but luckily we didn&#8217;t think of a trial for who ever this guy is.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>What!</p></div>
<div class="action"><p>Screamed Jeff Lynn, knowing without thinking that &#8220;who ever this guy is&#8221; was him.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>So it all comes down to Bob Dylan. Whichever side takes this takes the whole game. Bob, you&#8217;re a legend, so for you, no tricks. We&#8217;re going to give you the chance to showcase your incredible poetry skills, in our very first slam poetry night. Common rhymes, over enunciate, you know the deal. You&#8217;re opponent this evening&#8230;a food processor grinding a rock!</p></div>
<div class="action"><p>Bob Dylan was escorted to a makeshift stage, along with the food processor. Both were given microphones.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>You will be judged arbitrarily by three people who didn&#8217;t graduate middle school. You&#8217;re topic is globalization. And&#8230;go!</p></div>
<div class="action"><p>Bob Dylan and the food processor trade SFX deliveries.</p></div>
<div class="action"><p>The food processor sputtered, coughed, then died, a thick cloud of smoke billowing from the stage.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Come on Bob, you can&#8217;t smoke in here.</p></div>
<div class="action"><p>Admonished old man Silas. Grumbling, Bob Dylan stubbed out his cigarette, and the smoke cloud dissipated.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Judges?</p></div>
<div class="action"><p>The panel of three uneducated judges pretended to look contemplative.</p></div>
<div class="dialog"><p class="character">JUDGE 1</p><p>Bob seemed like he was consistently rhyming, while the food processor only rhymed a few times, so I&#8217;m giving it to Bob.</p></div>
<div class="dialog"><p class="character">JUDGE 2</p><p>I felt like the food processor stayed on the topic of globalization more, since it had a rock in it that was sort of shaped like a globe. I&#8217;m going food processor on this one.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>We&#8217;ve got a real nail-biter here. Judge number three, you&#8217;re the tie breaking vote.</p></div>
<div class="dialog"><p class="character">JUDGE 3</p><p>On the one, the food processor really hurt my ears, but on the other hand, Bob Dylan also really hurt my ears. The food processor seems more committed to the work, since it sacrificed itself for it&#8217;s art, but then again, Bob wasn&#8217;t made in Taiwan. This is a tough one, but I&#8217;m voting Bob, mostly for his pants.</p></div>
<div class="action"><p>The Traveling Wilburys cheered. Old man Silas&#8217;s jaw hung open in angry disbelief.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>You just handed them the win! Are you crazy? We&#8217;ll lost the ritual. This was supposed to be rigged!</p></div>
<div class="dialog"><p class="character">JUDGE 3</p><p>My opinion can&#8217;t be bought, man.</p></div>
<div class="action"><p>The band hive-fived, whooping with relief at avoiding another horrible fate.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>I guess you can&#8217;t do you&#8217;re little ritual now, huh boys?</p></div>
<div class="action"><p>The cultists slumped in defeat.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>No, I suppose not.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>What was that ritual for, anyway?</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Oh, what does it matter now?</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>Aw come on, now that we&#8217;re going to live, we need something to live for. Go on, tell us.</p></div>
<div class="dialog"><p class="character">SILAS</p><p>Fine. It was going to be a promiscuity ritual. There is an ancient power under the earth here, and we were going to harness that to unleash the wild bacchanal, an endless orgy on earth.</p></div>
<div class="action"><p>The Traveling Wilburys stopped in their tracks.</p></div>
<div class="dialog"><p class="character">JEFF LYNN</p><p>Hold up. That doesn&#8217;t sound half bad. Actually, it sounds real good.</p></div>
<div class="dialog"><p class="character">GEORGE HARRISON</p><p>Maybe we&#8217;ve been a little hasty here&#8230;</p></div>
<div class="dialog"><p class="character">ROY ORBISON</p><p>Claudette!</p></div>
<div class="dialog"><p class="character">BOB DYLAN</p><p>slkdjflsakdfjasdflkjsadf.</p></div>
<div class="dialog"><p class="character">TOM PETTY</p><p>Dixie, change of plans!</p></div>
<div class="action"><p>But Dixie was nowhere to be seen, the ample distraction giving her plenty of time to gnaw through her restraints and escape. Just then, Connie, Belinda, Yuna, and the imposter Bob and Jeff careened into the room, high out of their minds off of Martin Scorsese&#8217;s Studio 54 supply. Connie stared sweaty and wide-eyed around the cavern full of cultists.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>This room&#8217;s empty, keep going!</p></div>
<div class="action"><p>Shouted Connie, hallucinating hard. Headless of her instructions, the fake Bob and Jeff sprinted into the chamber, running straight into their real counterparts. Too started to scream, the pairs stared at each other for a moment, then in strange unison, they grabbed each other by the temples, then they all&#8230;</p></div>
</div>
</details>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/362/chapter-6-ritual-habits.mp3" length="12241308" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[The band tries to talk their way out of a cult and save their humility, Dixie vents her anger, and Bob Dylan does battle with a very special opponent.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #5</title>
					<link>https://letshearit.network/podcast/author-update-5/</link>
					<pubDate>Sun, 14 Feb 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=353</guid>
					<description><![CDATA[New schedules, new tagline, and the winning submission for what Dixie says.]]></description>
					<itunes:subtitle><![CDATA[New schedules, new tagline, and the winning submission for what Dixie says.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>10</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>New schedules, new tagline, and the winning submission for what Dixie says.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/353/author-update-5.mp3" length="6734814" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[New schedules, new tagline, and the winning submission for what Dixie says.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #4</title>
					<link>https://letshearit.network/podcast/author-update-4/</link>
					<pubDate>Fri, 05 Feb 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=344</guid>
					<description><![CDATA[A call to arms: suggest those story ideas! This show is collaborative, we're in this together.]]></description>
					<itunes:subtitle><![CDATA[A call to arms: suggest those story ideas! This show is collaborative, were in this together.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																					<itunes:episode>9</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>A call to arms: suggest those story ideas! This show is collaborative, we&#8217;re in this together.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/344/author-update-4.mp3" length="3354275" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[A call to arms: suggest those story ideas! This show is collaborative, we're in this together.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>0:00</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 5: Haunted Cave Basement</title>
					<link>https://letshearit.network/podcast/haunted-cave-basement/</link>
					<pubDate>Fri, 29 Jan 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=331</guid>
					<description><![CDATA[The girls find some surprises in the underground world.]]></description>
					<itunes:subtitle><![CDATA[The girls find some surprises in the underground world.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																					<itunes:episode>8</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>The girls find some surprises in the underground world.</p>



<details>
<summary>Transcript</summary>
<div class="screenplay">
<div class="action"><p>Connie, Yuna, and Belinda crawled from wreckage, helping each other stand. The collapse of the sunken fairground had caused considerable damage to the stadium, and whole swaths had been swallowed by the earth. The trio of groupies had been unlucky enough to be in one of those areas, and had fallen through to an unfamiliar place. As they collected themselves, they heard a voice behind them.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>Hi y&#8217;all ladies, can I lend a hand?</p></div>
<div class="action"><p>Turning, they saw Jeff Lynn and Bob Dylan, hands outstretched, both in their country phase. Taking their hands and taking in their surroundings, they stared in wonder. They were in a natural cave, the rubble they had fallen with blocking their exit, above. The cave wound in a curved line, twisting ever downward, long cylindrical calcified protrusions jutting from the walls like bones, giving the impression that they had found their way inside some impossibly large snake. The darkness of these depths would have been complete, save for the slice of faintly stuttering light coming from the imposter Jeff Lynn&#8217;s flashlight. Both he and Bob Dylan were grinning widely, wiping rock dust off their hands on their wrangler jeans, and doffing their cowboy hats, as they helped the girls up.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>I hope y&#8217;all aren&#8217;t too banged up, there. You ladies took quiet the spill.</p></div>
<div class="action"><p>Said the imposter Bob Dylan, knocking clods of earth from his spurs. Connie was the first to recover. She took him by the shoulders, pulled him forward, and kneed him in the crotch. The imposter Bob Dylan cried in pain, doubling over. The cave went almost completely dark; the imposter Jeff Lynn had used his flashlight to help cover his groin.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>What in tarnation was that for, you crazy marmoset! We just helped you out!</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>You abandoned us outside the Zamboni locker! You promised to help track down that creepy green-haired clown and find our friend Dixie, not her real name, and instead you used your rich rock star connections to vanish. Liars!</p></div>
<div class="action"><p>The imposter Bob Dylan was in too much pain to do anything more than whimper, but the cowering imposter Jeff Lynn piped up for both of them, fear overcoming his imposter-senses.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>Lady, I have no idea what you&#8217;re talkin&#8217; about!</p></div>
<div class="action"><p>The end of his sentence curdled into a yelp, as Connie hit him upside the head with her handbag.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Don&#8217;t&nbsp; play dumb with me, whoever you were again.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>You seriously don&#8217;t remember my name? Lady, I&#8217;m&#8230;</p></div>
<div class="action"><p>The imposter Jeff Lynn had to think for a moment.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>James Lynn!</p></div>
<div class="action"><p>Connie brandished her handbag.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>I don&#8217;t care what your name is, you both have a lot of explaining to do. Let&#8217;s start with when you disappeared outside the Zamboni locker. And make it snappy!</p></div>
<div class="action"><p>By this point, the imposter Bob Dylan had recovered enough to speak, which he desperately wanted to do instead of his partner, who couldn&#8217;t even remember his own assumed identities name. Luckily, nobody else seemed to either.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>We didn&#8217;t mean to leave, honest.</p></div>
<div class="action"><p>He rasped out.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>We were&#8230;kidnapped.</p></div>
<div class="action"><p>Connie arched an accusing eyebrow, unseen in the dark, but deeply felt.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Kidnapped? You guys vanished instantly. How come we never saw anyone else?</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>That&#8217;s because&#8230;</p></div>
<div class="action"><p>Started the imposter Bob Dylan, desperately trying to spin a convincing lie. Before he could, the imposer Jeff Lynn jumped in with an unconvincing one.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>That&#8217;s because we were kidnapped by ninjas.</p></div>
<div class="action"><p>He said, confidently. Connie was too taken aback to be mad for a moment.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Ninjas?</p></div>
<div class="action"><p>She asked, incredulously.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>That&#8217;s right, ninjas.</p></div>
<div class="action"><p>Said the imposter Bob Dylan through gritted teeth, kicking his partner in the dark.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>There&#8217;s a secret cabal of&#8230;ninjas, with a hideout deep below the stadium, and they&#8217;d do anything for power, so kidnapping rock Gods gets them closer to that.</p></div>
<div class="action"><p>The imposter Jeff Lynn scratched his fake beard.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>Huh, those ninjas are a lot like us, only they know Karate. Ouch!</p></div>
<div class="action"><p>He had been kicked again.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>Yes, they are a lot like us.</p></div>
<div class="action"><p>Said the imposter Bob Dylan, fuming.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>In that we are both extremely passionate about what we do, which in their case is martial arts, and in our case is music!</p></div>
<div class="action"><p>He practically yelled the last word in the imposter Jeff Lynn&#8217;s face, who scoffed.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>Oh yeah, I know music. I&#8217;m super famous for my music.</p></div>
<div class="action"><p>The imposter Jeff Lynn lied with real arrogance.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>Everyone knows my big hit&#8230;come around&#8230;around&#8230;and over. That&#8217;s right, Come Around Around and Over, by James Lynn.</p></div>
<div class="action"><p>He said proudly, retreating out of kicking distance. Blithely unaware, he plunged on with his story.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>We were kidnapped, but then we escaped into the sunken fairgrounds. We tried to pass ourselves off as&#8230;ourselves, to infiltrate our own band.</p></div>
<div class="action"><p>He winked at the imposter Bob Dylan, who winced.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>But then, we ran into ourselves in the mirror maze and things got out of control, and then everything collapsed and then we ended up here randomly for no reason. Bob, you silly goose, I don&#8217;t need your boots, you don&#8217;t have to throw them at me.</p></div>
<div class="action"><p>The shock of the preposterous story had worn off, and Connie was now properly mad.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>What a crock. That&#8217;s your story? You honestly expect us to believe that nonsense? Give me that flashlight.</p></div>
<div class="action"><p>She snatched the light from the imposter Jeff Lynn&#8217;s protesting grasp.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>You&#8217;re both dirty rats, but right now all I want to know is whether you saw Dixie, or that clown.</p></div>
<div class="action"><p>The flashlight beam shone in the two fake musicians faces, forcing them to squint. Both of them shook their heads in the negative, relieved to not have to think up a new story.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Typical.</p></div>
<div class="action"><p>Connie said coldly, and the two men were subjected to another clocking from her handbag. Connie glowered at the two cowering frauds.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>You really seem to know your way around here, what with all your ninja adventures. Why don&#8217;t you lead the way out? I&#8217;m not letting either of you out of my sight this time.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>Ma&#8217;am, please, we can&#8217;t do that.</p></div>
<div class="action"><p>Said the imposter Bob Dylan.</p></div>
<div class="dialog"><p class="character">IMPOSTER BOB DYLAN</p><p>We don&#8217;t know where we are neither.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>You seemed to find us well enough.</p></div>
<div class="action"><p>Connie replied curtly.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>Yeah, but that&#8217;s because we followed you.</p></div>
<div class="action"><p>Said the imposter Jeff Lynn. The imposter Bob Dylan bleated an involuntary moan of frustration and defeat. The imposter Jeff Lynn heard it, tried to course correct.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>What I mean to say, is we followed the <em>idea</em> of you, then the cave in happened, we landed here, where we really have never been, and then we saw the actual you, and we said hi.</p></div>
<div class="action"><p>The imposter Bob Dylan shrugged; not bad, considering. Connie grunted angrily.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Fine, have it your way. You&#8217;re still walking ahead. Come on.</p></div>
<div class="action"><p>Connie pushed the grumbling non-musicians out in front before hanging back a few paces with Belinda and Yuna, who despite their predicament, seemed impressed. Connie played the flashlight over the rough terrain ahead as the troupe slowly picked their way forward along the snaking cavern path.</p></div>
<div class="action"><p>After a several minutes of quiet walking, punctuated occasionally by low curses following a stubbed toe on the unforgivingly unexpected rock placement, Connie&#8217;s flashlight flicked over something on the wall.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Hold on, what&#8217;s this?</p></div>
<div class="action"><p>Getting closer, it was unmistakable: elaborate narrative artwork rendered in primal silhouette. The pictures continued on down the passage, and told a story as you followed them. At the start, humanoid figures worked in a village, then moving on they fell down a hole into the earth, and finally were eaten by a giant thorned-smudge of a monster. The drawings writhed and wormed, almost coming alive under the flickering light of the flashlight. Connie bit her lip.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Seems heavy. Belinda, what do you make of this? You took archeology course, right?</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Close, I took an archaeologist.</p></div>
<div class="action"><p>Belinda stepped closer, talking to Connie without removing her studious gaze from the artwork.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>It seems like some sort of prehistoric warning. From the look of it, I&#8217;d say its telling us to watch out for Hep-C.</p></div>
<div class="action"><p>Connie raised an eyebrow.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Yeah?</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Yeah, either that or some other evil thing. Either way, I&#8217;m pretty sure we don&#8217;t have to worry about it.</p></div>
<div class="action"><p>Connie didn&#8217;t look comforted, but since there wasn&#8217;t much else to do, she nodded and started walking again.</p></div>
<div class="action"><p>After a few more minutes of walking Yuna suddenly grabbed Connie&#8217;s shoulder.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Wait, there&#8217;s more.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>What is it, Yuna? Did you see something about the cave drawings?</p></div>
<div class="action"><p>Yuna pulled the other two women closer, eyes darting around and lowering her voice, so the men couldn&#8217;t hear.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>You&#8217;re probably going to think I&#8217;m crazy, and I can&#8217;t quite put my finger on it, but I feel like somethings off about Bob and what&#8217;s his face.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Well, that wasn&#8217;t what I was expecting, but do you mean more off than being dirt bag promise breakers and not even acknowledging our missing friend?</p></div>
<div class="action"><p>Connie sniffed.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Yes, all those things are bad and true, but I&#8217;m sensing something beyond even that.</p></div>
<div class="action"><p>Belinda scrunched her brow.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>I think I know what you mean, Yuna. Somethings not quite right. I don&#8217;t know if it&#8217;s some new vocal tick they&#8217;re effecting, or a new fashion designer they hired or I don&#8217;t know, something.</p></div>
<div class="action"><p>She said, squinting as if to peer through her own uncertainty. Now Connie was squinting, too.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Yeah, that could be, but we&#8217;ve only been separated a few hours, and all that seems like a lot to pull of in the time frame, even for them. Come to think of it, when I kneed Dylan&#8217;s crotch, I don&#8217;t think I felt a circumcised one, I&#8217;m pretty good at detecting that kind of thing, even with me knee. Obviously, we all know Mr. Robert Zimmerman attended his briss.</p></div>
<div class="action"><p>The others nodded knowledgeably.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>So what are we saying here?</p></div>
<div class="action"><p>Hissed Belinda.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>That Bob and the other guy aren&#8217;t who they say they are?</p></div>
<div class="dialog"><p class="character">YUNA</p><p>That case is getting stronger and stronger.</p></div>
<div class="action"><p>Intoned Yuna.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>It&#8217;s hard to tell in the light, but don&#8217;t their beards look fake?</p></div>
<div class="action"><p>Connie shrugged.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Dylan&#8217;s beard always looked fake.</p></div>
<div class="action"><p>Belinda grimaced.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>True. What about the other guy?</p></div>
<div class="action"><p>Connie shrugged again.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>There&#8217;s no way to know. No one knows who he is, right? None of you slept with him?</p></div>
<div class="action"><p>The other two shook their heads. Belinda sucked her teeth.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>No, I don&#8217;t think so.</p></div>
<div class="action"><p>Connie thought for a moment.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Well, there&#8217;s only one way to be sure: we&#8217;ll have to test them.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Ask them a question that only they would know?</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>No.</p></div>
<div class="action"><p>Scoffed Connie.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>We don&#8217;t want to talk to these jags, whether they&#8217;re the real guys or not. Besides, that would take too long. We all know Bob&#8217;s body; I say, we rush him. I&#8217;ll hold his arms, Yuna, you pull his beard, see if it&#8217;s fake, and Belinda, you pants him. That should get to the bottom of this.</p></div>
<div class="action"><p>Yuna and Belinda nodded solemnly. They were all in.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Okay good, on the count of three&#8230;</p></div>
<div class="action"><p>But before she could continue, the world was flooded with bright blinding light, the sudden transition forcing everyone to stop and shield their eyes. Then a high-pitched droning screech pierced their ears, the gibbering of seemingly hundreds of twisted denizens of the depths.</p></div>
<div class="action"><p>And then they were struck.</p></div>
<div class="action"><p>At first one by one, then all at once, a torrent, an onslaught. Something &#8211; <em>somethings</em> &#8211; collided with the group, striking them all over their bodies. The things were pointed and light and traveling at incredible speed. The group cried out in unison, making a gang vocal of unappreciation.</p></div>
<div class="action"><p>As soon as it started, the noise and the hits stopped, accompanied by a gentle whirring sound. A thick nasal voice echoed through the chamber.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Bob, is that you?</p></div>
<div class="action"><p>The light was as bright as ever, but as they were able to uncover their eyes, their sightly slowly adjusted. The light came from several large flood lights mounted on&nbsp; sturdy metal tripods, black metal flaps on hinges mounted around each light angling the beam more precisely on the party.</p></div>
<div class="action"><p>All around them were heaps of paper airplanes, folded on heavy paper, all of which seemed to have already been typewritten on. A 35 millimeter film camera was pointed at them, resting atop another, smaller tripod, it&#8217;s twin reels turning inside their case, creating the whirring sound. And then that stopped, too.</p></div>
<div class="action"><p>Out from behind the camera stepped the unmistakable figure of legendary director Martin Scorsese. Dark black receding hair still long around the nape of the neck, and full beard now shot with flecks of grey, in the dramatic lighting Martin&#8217;s shadow was significantly taller than he was. He broke into a wide smile.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Bob, it is you! You know, at first I wasn&#8217;t sure, because I seemed to have misplaced my glasses, which makes them a lot harder to find. Oh wow, and Jeff Lynn from the Electric Light Orchestra, fantastic. I&#8217;m so glad I noticed because otherwise I would have let my booby traps tear you all apart. You can never be too careful. You two <em>are</em> Jeff Lynn and Bob Dylan, right?</p></div>
<div class="action"><p>Martin squinted. The imposer Jeff Lynn looked to the imposer Bob Dylan, who looked to Connie, Yuna, and Belinda, who looked to each other, all simultaneously coming to the same conclusion.</p></div>
<div class="dialog"><p class="character">ALL</p><p>Yes.</p></div>
<div class="action"><p>They all said, together, without hesitation.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Thank God.</p></div>
<div class="action"><p>Said Martin.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>I&#8217;d hate to go through some mistaken identity fiasco. But Bob, what&#8217;s with the cowboy get up? You&#8217;re not going through another Christian phase again, are you?</p></div>
<div class="action"><p>Bob shook his head, not wanting to show off his not-very-Dylan Bob Dylan voice; Scorsese seemed like he paid attention to details and it was his eyes that were impaired, not his ears.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Thank God, thank God. Ever since the last temptation of Christ opened, every Christian with a radio&#8217;s been driving around looking for crucify me. The last thing I need is for one of my idols to start throwing the Bible around. Where are my manners. It seems you&#8217;ve brought some lovely lady friends with you as well. And it looks like there&#8217;s one extra for me. Ha! I&#8217;m only kidding around, I&#8217;m married. Although, she&#8217;s wife number five, so clearly it&#8217;s negotiable. Any takers? No? Okay.</p></div>
<div class="action"><p>Belinda shuffled her feet through the paper airplanes, pulling one from her hair.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>What is all this?</p></div>
<div class="action"><p>She asked.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>I&#8217;m glad you asked.</p></div>
<div class="action"><p>He answered.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>This is one of my booby traps. Helps to warn me of invading Christians. At least, that&#8217;s one of it&#8217;s functions. I couldn&#8217;t help myself. While building it, I decided to have it serve a double duty to get some test footage recreating the famous scene from Hitchcock&#8217;s The Birds. Only I didn&#8217;t have any birds, so I ended up suing paperwork form my four previous divorce proceedings folded into paper airplanes. I thought it would add a dark comedic touch, but it&#8217;s not working, I can see it&#8217;s not working. Which is a lot like my marriages. Ha! It&#8217;s actually very sad.</p></div>
<div class="action"><p>Connie rubbed her shoulders, looking around for potential hazards.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Where are we?</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>My basement. One of them. I have several across the country &#8211; Connecticut, Pittsburgh, Long Island, Manhattan, everywhere. This one&#8217;s very special. New York&#8217;s changed, not as much as it might in the future, but still a lot, so the only way I can immerse myself in the amount of darkness and violence I need to make my films is living in a haunted cave in New Jersey.</p></div>
<div class="dialog"><p class="character">IMPOSTER JEFF LYNN</p><p>This place is haunted?</p></div>
<div class="action"><p>Squeaked the imposter Jeff Lynn, forgetting Martin Scorsese might know the real Jeff Lynn well enough to recognize his voice. He didn&#8217;t. Martin nodded.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Double haunted, if you want to put it that way. Some forgotten ancient people told of an unknowable primal force buried deep beneath the earth here, deeper than here even, so that&#8217;s scary.</p></div>
<div class="action"><p>Belinda nodded.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Yeah, we saw the Hepatitis drawings on our way in.</p></div>
<div class="action"><p>Martin bobbed his head enthusiastically. Yuna jumped in.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>The second haunting must be the sunken fairground.</p></div>
<div class="action"><p>Martin cocked an enormous eyebrow.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Oh yeah, I completely forgot about that one. With the land developer and the vengeful dunk tank clown spirit. It&#8217;s tacky. Feels cheap. You can call it whatever, but you can&#8217;t call it a haunting. That&#8217;s not a haunting.</p></div>
<div class="action"><p>The girls glanced at each other, confused, noticing that the two imposters were nodding along in agreement a little too enthusiastically.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>What&#8217;s the other haunting, then?</p></div>
<div class="action"><p>Martin perked up.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>This is great, you&#8217;re gonna love this. I build my basement here out of the gutted remains of Studio 54. You know, the legendary nightclub renowned for it&#8217;s celebrity debauchery. Look.</p></div>
<div class="action"><p>The flood lights switched off, and next to them, multi-colored light bathed the first floor of the&nbsp; famous nightclub, cobbled together within an inch of it&#8217;s life. The sheen of grandeur and opulence that must have once permeated tis place was now crusted over with neglect. Not just in the actual structure, although that was also true. The bar&#8217;s bottles were all broken, glued back together to various degrees of success, the turntable was cracked in half, and the dance floor looked like it had been broken up by a jackhammer, then vainly pieced back together with cement, yielding a rough, un-danceable surface.</p></div>
<div class="action"><p>Despite all that, what most gave the place it&#8217;s ghostly quality, was it&#8217;s emptiness. Where once the rich and famous desperately clamoured to be let in, now there was no one, in or out, to keep that mystique alive. Studio 54 was gone, the re-assembled pieces merely a reminder of that hard truth. Martin Scorsese cackled with glee.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Isn&#8217;t it incredible? I was never allowed in when it was open, but now it&#8217;s all mine.</p></div>
<div class="action"><p>He trotted on to the dance floor, tripping on the uneven surface, catching himself just before he fell.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Wonderful, wonderful place. Haunted, obviously. It has that duality.</p></div>
<div class="action"><p>Connie and Belinda could barely hide their grimaces, but Yuna stepped inot the dessicated nightclub, a studious look on her face.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Yes, it is haunted, I can feel a presence. Did someone die here?</p></div>
<div class="action"><p>Martin shrugged.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Not that I&#8217;m aware of, but probably. Nobody famous, though, I&#8217;m sure of that. What you&#8217;re feeling is the ghost of carefree &#8217;70s decadence. At least that&#8217;s the sense I got whenever I communed here.</p></div>
<div class="action"><p>Yuna snapped her head around to stare directly at Martin, her gaze boring into him.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>How did you commune?</p></div>
<div class="action"><p>Martin looked scared.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Well, I have a Ouija board.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Take it out. We must commune now.</p></div>
<div class="action"><p>Connie rubbed her nose, exasperated.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Yuna, I don&#8217;t think we have time to do some magic spell, or whatever.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>We will make time.</p></div>
<div class="action"><p>Said Yuna in a strong, authoritative voice the others had never heard from her before, commanding attention.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>A presence here knows where Dixie is.</p></div>
<div class="action"><p>Connie and Belinda&#8217;s eyes got wide. The two imposters looked at each other uneasily.</p></div>
<div class="action"><p>In short order, Martin Scorsese had lit an array of black candles and arranged them in a circle in the middle of the dance floor. Inside that, the group sat in another circle, the Ouija board in the center.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Everyone put your hands on the planchette.</p></div>
<div class="action"><p>Instructed Yuna, and they all complied.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>This is so exciting. I haven&#8217;t had this much adrenalin in my system since I quit doing coke. Which has got to be, wow, almost a week ago.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Silence!</p></div>
<div class="action"><p>Cried Yuna, her voice echoing.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Everyone close your eyes, and focus on the shadow plane.</p><p class="parenthetical">(to spirits)</p><p>Spirits of Studio 54, I am the one they call Yuna, from Bridgeport. I beseech your guidance. Are you there, spirits? Can you hear me?</p></div>
<div class="action"><p>Immediately, the planchette moved. Everyone gasped, except for Yuna, who kept her eyes fixed on the middle distance, her gaze glassy. The planchette under everyone&#8217;s hands moved swiftly and surely, clearly indicating each letter.</p></div>
<div class="action"><p>First, it moved to &#8220;Y&#8221;, then &#8220;E&#8221;, and finally to &#8220;Z&#8221;. There was a pause.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Yez?</p></div>
<div class="action"><p>Connie asked, confused.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Yez is not a word, correct?</p></div>
<div class="action"><p>Asked Martin.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Does someone have a dictionary?</p></div>
<div class="action"><p>Yuna sighed impatiently.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Clearly the spirits meant &#8220;yes&#8221;.</p><p class="parenthetical">(to spirits)</p><p>Thank you, spirits. We seek our lost friend, the one we call Dixie, but which is not her real name. Is&#8230;Is she alive?</p></div>
<div class="action"><p>Again, the planchette moved immediately. &#8220;Y&#8221;, then &#8220;E&#8221;, then &#8220;Q&#8221;. Belinda scowled, but Yuna nodded, relieved.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>The spirits mean &#8220;yes&#8221;.</p><p class="parenthetical">(to spirits)</p><p>This is wonderful news. Do you know where Dixie is, spirits?</p></div>
<div class="action"><p>The planchette moved with unequivocal assurance, first to &#8220;Y&#8221;, then &#8220;E&#8221;, and finally &#8220;B&#8221;. There was a brief silence, before Belinda broke it.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Okay, what the hell. Yeb?</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Shush, the spirits mean &#8220;yes&#8221;.</p></div>
<div class="action"><p>Said Yuna, raising her voice a bit. Belinda didn&#8217;t look convinced.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Yeah, but they spelled a three letter word wrong three times, three different ways.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Maybe the ghosts are illiterate.</p></div>
<div class="action"><p>Suggested Connie, sardonically, receiving a harsh look from Yuna.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>That would make sense, actually.</p></div>
<div class="action"><p>Said Martin.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Illiteracy is one of the common side effects of a lot of the popular drugs at the time.</p></div>
<div class="action"><p>Yuna pinched their hands.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Stop it, all of you! You&#8217;re offending the spirits.</p><p class="parenthetical">(to spirits)</p><p>I apologize for my inconsiderate friends, oh spirits. They know not what they do. Please, beings of infinite generosity, spell out the name of the place where Dixie is.</p></div>
<div class="action"><p>This time, the planchette did not move. Long moments passed. Finally Belinda again broke the silence.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Maybe the spirits are busy.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>Quiet!</p></div>
<div class="action"><p>Barked Yuna.</p></div>
<div class="dialog"><p class="character">YUNA</p><p class="parenthetical">(to spirits)</p><p>Again, please accept my deepest apologies for my small-minded compatriots behavior, forgiving spirits. If you can find it in your hearts, please grant us this boon: tell us where Dixie is.</p></div>
<div class="action"><p>At first, nothing happened. Then, slowly but surely, the planchette moved. First, it landed on &#8220;S&#8221;, then &#8220;E&#8221;, then circled around the end of the alphabet several times before landing on &#8220;Y&#8221;. It paused for so long there that Belinda was about to insult the ghosts again, but then it moved to &#8220;U&#8221;, the finally &#8220;P&#8221; and didn&#8217;t move again.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>&#8220;Seyup&#8221;</p></div>
<div class="action"><p>Said Yuna in a holy monotone.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Seyup?</p></div>
<div class="action"><p>Asked Martin.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>That can&#8217;t be a place.</p></div>
<div class="action"><p>It was clear from Connie and Belinda&#8217;s expressions that they felt this had all been a catastrophic waste of time.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>You&#8217;re all too impatient, the spirits must not be finished with the word.</p></div>
<div class="action"><p>Said Yuna, although she sounded too defensive to be really sure.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Oh come on.</p></div>
<div class="action"><p>Challenged Belinda.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>What place starts with Seyup?</p></div>
<div class="dialog"><p class="character">YUNA</p><p>I don&#8217;t knew, Seyupville?</p></div>
<div class="action"><p>Yuna threw back.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Listen to yourself!</p></div>
<div class="action"><p>Shouted Belinda, out of patience.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Guys!</p></div>
<div class="action"><p>Connie interjected, trying to head off a fight.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>This didn&#8217;t work, but there&#8217;s no need to get&#8230;</p></div>
<div class="dialog"><p class="character">YUNA</p><p>No! Maybe it&#8217;s another misspelling. Maybe it&#8217;s a command, and they&#8217;re telling us to &#8220;say up&#8221;. Up! Up! Up!</p></div>
<div class="action"><p>She cried at the cave ceiling, holding up her arms, looking like a childing wanting to be picked up. Other than creating an embarrassing image, nothing happened. Yuna slumped, and Connie gently rubbed her shoulders.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>It&#8217;s okay, Yuna. I know you just want to find Dixie. We all do. I promise, we&#8217;ll find her, together.</p></div>
<div class="action"><p>Yuna snapped up.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>I know what we&#8217;re doing wrong.</p></div>
<div class="action"><p>She said, a picture of conviction.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Yeah, this whole thing.</p></div>
<div class="action"><p>Replied Connie, not unkindly.</p></div>
<div class="dialog"><p class="character">YUNA</p><p>No. Martin, something you said earlier is the key. We can&#8217;t communicate with the spirits because we&#8217;re not on the same level &#8211; the spirits are high, and we&#8217;re not! We need to take drugs.</p></div>
<div class="action"><p>Connie held her head.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Yuna, this is no time to&#8230;</p></div>
<div class="action"><p>Belinda cut her off.</p></div>
<div class="dialog"><p class="character">BELINDA</p><p>Well hold on now, let&#8217;s hear what she has to say.</p></div>
<div class="action"><p>Martin chimed in.</p></div>
<div class="dialog"><p class="character">MARTIN</p><p>Look, I&#8217;m a sober guy now, but in honor of Studio 54 I keep a vial of Highway to Space, which is a mix of pure Columbian cocaine and acid straight from Leary&#8217;s lab. I&#8217;ll give it to all of you if you let me film it. I&#8217;m working on a sequel to The Last Waltz.</p></div>
<div class="action"><p>The groupie&#8217;s jaws hung open, and the imposer Bob Dylan and Jeff Lynn looked so eager, they could have been the real guys. After a moment, Connie smiled.</p></div>
<div class="dialog"><p class="character">CONNIE</p><p>Well, Dixie would have been first in line for this. She was the queen of multi-tasking, so I think if we channel her, we can still find her and get stoned.</p></div>
<div class="action"><p>The whole group cheered.</p></div>
<div class="action"><p>A short time later, after that first blissful bump, Yuna saw, and I mean really saw, <em>exactly</em> where Dixie was. Down, down, down, beneath the rock, the Traveling Wilburys gaped at the mass of robed cultists gathered around the stone alter. While they couldn&#8217;t have known it for sure, but should have realized it but didn&#8217;t, that was Dixie strapped to that alter. The cultist&#8217;s chanting rose to a frenzy until Dixie snorted violently, hushing the crowd, and Dixie popped her head up, straining against the restraints and squinting like she just woke up.</p></div>
<div class="action"><p>Seeming to see the crowd for the first time, she said in a loud, clear voice:</p></div>
      </div>
</details>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/331/haunted-cave-basement.mp3" length="19188940.8" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[The girls find some surprises in the underground world.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>38:12</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #3</title>
					<link>https://letshearit.network/podcast/author-update-3/</link>
					<pubDate>Fri, 22 Jan 2021 10:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=320</guid>
					<description><![CDATA[A very surprising audience suggestion round leads to an equally surprising new story direction.]]></description>
					<itunes:subtitle><![CDATA[A very surprising audience suggestion round leads to an equally surprising new story direction.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																<itunes:title><![CDATA[Author update #3]]></itunes:title>
																<itunes:episode>7</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>A very surprising audience suggestion round leads to an equally surprising new story direction.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/320/author-update-3.mp3" length="4928307.2" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[A very surprising audience suggestion round leads to an equally surprising new story direction.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>9:47</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 4: Dunk The Clown</title>
					<link>https://letshearit.network/podcast/dunk-the-clown/</link>
					<pubDate>Fri, 15 Jan 2021 12:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=303</guid>
					<description><![CDATA[The Traveling Wilburys fight for their lives and learn the secrets of the molten lava key.]]></description>
					<itunes:subtitle><![CDATA[The Traveling Wilburys fight for their lives and learn the secrets of the molten lava key.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																<itunes:title><![CDATA[Dunk The Clown]]></itunes:title>
																<itunes:episode>6</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>The Traveling Wilburys fight for their lives and learn the secrets of the molten lava key.</p>



<details>
<summary>Transcript</summary>
<div>
<h2 id="chapter-4">Chapter 4</h2>
<p>The clown loomed over Tom Petty. In one hand the clown held a silver record, sharp edges gleaming, but what really stopped Tom’s breath was what he held in the other. It was an oversized golden key, like what you might give to a deserving citizen. Yet while most novelty keys had old fashioned, simplistic teeth, that if real would certainly fit a lock that practically picked itself, this one had modern rows of jagged edges, irregularly spaced and shaped.</p>
<p>Perhaps even more noticeable that it’s comically large size was the word “Netherworld” emblazoned on the shaft in glowing red letters, and giving off an enormous amount of heat.</p>
<p>Tom Petty worked his jaw, unable to speak, staggering, stumbling, collapsing on his back, crawling away while the clown expressionlessly shuffled closer. Tom’s eyes darted from the key to the clown’s face, to the sharpened silver record now held aloft.</p>
<p>“No, no, you can’t be!”</p>
<p>He finally choked out as the record was brought down.</p>
<p>Instinct kicked in, and he hopped frog-like to one side, the record blade taking off his cowboy hat, landing in the fetid water of the dunk tank, which was also frog-like.</p>
<p>Petty thrashed in the water as the clown turned toward him; he wouldn’t be able to hop again, but the clown could raise his record blade again, which he did.</p>
<p>Before any could do anything, we cut away to focus on someone else.</p>
<hr>
<p>George and Roy craned their necks to take in the entirety of the rusted ferris wheel. The hinges creaked as the cars swung gently in the dead air. The top of the wheel seemed to nearly scrape the cave ceiling many stories above, although it was hard to tell for sure as the top disappeared in shadow.</p>
<p>A ticket booth clung together seemingly by dumb luck, it’s foundation shifted at an alarming angle. The line for the ride was still marked with velvet ropes, although the material was almost completely decayed and almost certainly not real velvet.</p>
<p>George sighed.</p>
<p>“This takes me back to when I was a boy in Liverpool. There used to be a ferris wheel just like this that we were too poor to afford. Of course, once the money came I was too busy with music and seeking the meaning of life to ride it. Then, it was torn down and replaced with a tilta-whirl, which I did ride, but it wasn’t the same. It couldn’t be. I never did get to ride that ferris wheel.”</p>
<p>Roy glanced at George out of the corner of his eye, a look that George caught. He raised his hands defensively.</p>
<p>“Look, I know what you’re saying. My generation is starting to wallow in nostalgia so much that we can’t move forward, or even see what’s right in front of us. But I’m telling you, it’s all just a phase, and it’ll be over in a few years at most. I think the best way to hurry that along is to experience that nostalgia full force. Only then will we be truly able to let it go. Then no one will every harp on the past ever again.”</p>
<p>Roy cocked an eyebrow. George looked around the ground, pointed.</p>
<p>“Oversized footprints!”</p>
<p>Indeed, there were comically large footprints in the soft dirt, leading perfectly to the ferris wheel. George grinned.</p>
<p>“And they lead right to the ferris wheel! Perfect.”</p>
<p>Roy rolled his eyes as George skipped to the ticket booth, then hobbled oddly, stretching his aging leg.</p>
<p>“We have to have the full experience. Two tickets please,” he shouted joyously as he fished out two shillings and slapped them on the ticket booth counter.</p>
<p>The ticket booth collapsed in a crash of shattered glass and splintered wood, coughing an asbestos-speckled plume of dust to slowly settle on the surrounding everywhere.</p>
<p>Roy Orbison’s eyes popped in surprise. George’s mouth hung open.</p>
<p>“Look at that, Roy, it’s our lucky day. Free admission.”</p>
<p>George scooped up his shillings from the ground, and giggling, carefully pranced into a ferris wheel car, Roy reluctantly following. As soon as they were both seated, George yanked down the restraining bar, which Roy immediately clutched.</p>
<p>A low rumble vibrated the seats, followed by the screech of complaining gears. The car jerked, sending it swinging back and forth. Roy yelped, George hooted, and the ferris wheel began to turn, sending the two legendary musicians, whose music had touched so many, higher and higher into the dark cavern.</p>
<p>“Here we go!” Shouted George, over the noise.</p>
<p>“This is incredible! Better than I ever imagined!”</p>
<p>Roy gripped the restraining bar, face drained of all color. He stared at George with a look of sweaty anxiety, both attributes steadily rising. George laughed, then paused, a wave of insight crinkling his features. His eyes now widening to match Roy’s, he grabbed the older musician’s shoulders.</p>
<p>“Wait a minute, how did this thing turn on?” He yelled.</p>
<p>The engine died, and the ferris wheel ground to a halt. The newfound silence overlapped with George’s last words, underscoring them. The car had stopped at the apex of the wheel. Still carried by momentum, it rocked nauseatingly back and forth, giving an intermittent view of the distressingly far-off ground below. The musicians held each other, too afraid to move.</p>
<p>Eventually, the car’s rocking became less violent, and George worked up the courage to peer out. The entire sunken fair ground was laid out below them, pulsing neon points of light marking areas of murk as attractions. The continued motion and dizzying height made George’s stomach lurch, and he sat back in his seat, squeezing his eyes shut.</p>
<p>“Come to think of it, how is anything in this place powered? And how did this thing know to go exactly when we got in? Ouch!”</p>
<p>A sharp pain shot through George’s arm, popping his eyes wateringly open. Roy Orbison was pinching him. Roy pulled a pressure plate from under George, the device protruding wiring woven into the spine of the ferris wheel.</p>
<p>“Roy, you beautiful bastard, you figured one of those things out!” Cried George.</p>
<p>“Someone must have laid a trap for us, but now that we know the secret, we’ll be out of this lickety-split.”</p>
<p>George pressed the pressure plate. Nothing happened. He pressed it again. Again, nothing. He held the device between his knees and banged on it with his fists as hard as he could. Still, nothing.</p>
<p>“Okay, let’s just both of us breathe, and center ourselves,” said George, closing his eyes serenely. Hardly a moment later his eyes snapped open and with a cry of anger he yanked the plate repeatedly, the wires straining taught until there was a loud twanging sound and the plate shot up and out of George’s hands, trailing a stream of wires, the exposed ends sparking as they flew by, first up through the car, the snapping like a whip above it, then arching down after the plate.</p>
<p>There was a moment of silence. Then, the entire ferris wheel groaned and wobbled. The sound of metal bending and giving way bored into their ear drums, bits of structural integrity springing off the wheel.</p>
<p>It shuddered. George howled.</p>
<p>“The wheel is going to break away! It will snap off and roll like a tire and we’ll be crushed!”</p>
<p>Roy slapped George across the mouth. Instantly, George sobered, lowering his head.</p>
<p>“Thank you, I deserved that. You’re right, as always, Roy. We can still make it out of this one. There’s enough of a roof and floor on these cars to act as a roll cage when the wheel starts rolling. As long as we stay tucked inside, we should be protected.”</p>
<p>The ferris wheel made one last shuddering lurch, then started falling on it’s side. The thin pipe of the restraining bar was now their only protection. Before the ferris wheel’s quickly increasing speed and angle made it impossible, Roy slapped George again.</p>
<hr>
<p>Elsewhere, Bob Dylan and Jeff Lynn stood at the entrance to the mirror maze, the light bulbs comprising the name flashing on and off in a rolling, hypnotic pattern. The light from the sign illuminated the entry arch, along with the hallway leading from it, until it disappeared around a sharp right angle.</p>
<p>Beside the entrance was a floor-length mirror. A face was painted over the top, where a person looking at the mirror’s face would go. The painted face sported a too-wide smile, ruby red lips, and an old fashioned hair cut. A sign next to the mirror read, “If you can see your face, you’re too short to experience the mirror maze.” Spaced well below that and in smaller lettering read, “What’s it like to have a face sitting on top of your face, short stack?”</p>
<p>Jeff Lynn whimpered.</p>
<p>“I don’t like this place, Bob. Not one bit. You and me got the worst place to look for this killer clown. Actually, this may come as a shock, but I wouldn’t want to look for a killer clown anywhere, but this place is the worst.”</p>
<p>An automated voice box, it’s aged tape artificially slowed, blared to life, exploring Bob and Jeff to “Face your face in this place post haste! Be amazed at the mirror maze.”</p>
<p>Jeff screamed.</p>
<p>“No way, no how! I’m outta here!”</p>
<p>Jeff turned tail and ran as fast as he could, but Bob Dylan caught him by the seat of his pants, and with surprising strength for his short frame, dragged him back towards the mirror maze.</p>
<p>“No! Stop that! Down, Bob, down!” Yelled Jeff Lynn, swotting at the voice of a generation’s nose.</p>
<p>“********!” Barked Bob Dylan, dragging Jeff over the maze entrance threshold, spinning to gain momentum, then whirling them both around the corner and fully into the maze.</p>
<p>Immediately, Jeff turned to run out again, but a heavy steel door slammed shut, blocking the exit. He pounded on the door with his fists to no avail. Bob pulled him away, forcing him to around.</p>
<p>The two men were reflected back on every surface, sometimes squished, sometimes squashed, sometimes twisted, but always distorted.</p>
<p>“Oh my God, do I really look like that?”</p>
<p>“********.”</p>
<p>“Damn it.”</p>
<p>Jeff rubbed his shoulders, as if fighting off an imaginary chill.</p>
<p>“I guess the only way out is through,” he whined.</p>
<p>They crept cautiously along the path, their reflections growing and shrinking, rolling and turning like a crowd of doppelgänger phantasms. After a few minutes of walking, Jeff stopped.</p>
<p>“Did we miss a turn? I feel like we should have been out by now.”</p>
<p>“********,” shrugged Bob Dylan.</p>
<p>“I guess,” replied Jeff, then suddenly grabbed Bob.</p>
<p>“Did you see that?”</p>
<p>“********,” said Bob, rolling his eyes.</p>
<p>“No, it wasn’t my reflection and it wasn’t your reflection, and before you even ask, no, it wasn’t Martin Scorsese sniffing around for another Last Waltz. It was something…did you see that!” He yelped, cutting himself off.</p>
<p>Bob Dylan turned his tired, bushy brows to where Jeff was pointing. Two reflections stared back.</p>
<p>“********,” said Bob Dylan, sensibly.</p>
<p>Jeff Lynn frowned.</p>
<p>“I could have sworn…”</p>
<p>Bob turned and moved away, but Jeff grabbed his shoulder again.</p>
<p>“Wait a minute, somethings not right. Turn around, look at my reflection, and then look at me. We’re different. I’m me now, but my reflection is me during my country phase. Wait a minute, I never had a country phase…you did.”</p>
<p>Bob and Jeff’s eyes grew wide.</p>
<p>“We have each other’s reflections!”</p>
<p>Bob and Jeff looked at each other.</p>
<p>“And we’re not looking at each other!” screeched Jeff.</p>
<p>“Dagnabbit,” said Jeff’s reflection, who was really Bob’s, from the past.</p>
<p>“Ahhhh!”</p>
<p>“********!”</p>
<p>Blinded by fear, they turned and ran full bore into the wall, crashing through the mirrored glass. Bruised, bloodied, and slowed, but no less determined, they kept running, smashing through every glass wall that stood in their way. Which was a lot.</p>
<hr>
<p>Tom Petty scrambled in the water, trying to find his footing. The blank-faced clown trudged inexorably towards him, stepping over the lip of the tank and setting one oversized foot into the frothing water.</p>
<p>Desperate, Tom grabbed at the platform above &#8211; missed! &#8211; grabbed again and caught the edge with the tips of his fingers. All that guitar practice finally paid off, aside from the hugely successful music career that is, and he pulled himself up onto the platform.</p>
<p>“If only I had learned Flamenco, I would have been able to pull myself up fast enough to avoid getting my leg sliced by that sharp record,” thought Tom through his own cry of pain, as the leg slicing had definitely happened.</p>
<p>He crawled away from the edge, pressing against the platform’s back panel. Hearing a loud hissing, he turned to see the clown right below him, arms hanging limp at his sides, the gold key half submerged in the shallow water. The heat coming off the key was boiling the water around it, creating a cloud of hissing steam.</p>
<p>The clown’s hands, still carrying their respective payloads, appeared on the edge of the platform, accompanied by the unmistakable grunts of a large man hauling up his body weight, along with the weight of a bulky, mostly soaked clown suit.</p>
<p>Frantic, Tom climbed the back panel, his injured leg swinging limply, crouching on all fours to balance on top of the thin, two-by-four beam. He glanced over the other edge, sizing up a jump. The drop was only about fifteen feet, but onto a ruin of jagged rocks. He glanced back towards the clown &#8211; how much time did he have? If he could just reach the dunk button, the little target everyone threw bean bags at, the platform would collapse and the clown wouldn’t be able to get him. He turned and reached for the button. Too late!</p>
<p>The clown stood erect on the platform, sharp silver record raised high.</p>
<p>Suddenly, the ground began to violently shake. Tom Petty clutched the panel for dear life, and the clown had to stagger to keep his balance.</p>
<p>The ferris wheel had fully toppled, shaking the cavern and sending George and Roy flying. They landed hard in a bouncy castle, depressing the cushions so much they almost touched the ground, then rocketed back into the air, barely missing the ferris wheel collapsing around them. They crashed directly into clown, sending him, his silver record, golden key, and green wig flying in all directions. George and Roy themselves landed heavily in the dunk tank.</p>
<p>Bob Dylan and Jeff Lynn smashed through the window of a nearby building, still screaming and covered in glass and cuts. An unbroken line of human-sized holes in windows stretched all the way across the fair back to the shattered remnants of the mirror maze. The two ran into the lip of the tank and, lever-like, splashed head first into the water, instantly silencing their screams.</p>
<p>Tom Petty still clung to the top of the tank platform’s back panel, his eyes tightly closed. Slowly opening them in the sudden stillness, he looked around and could see no one.</p>
<p>“Whoa, I really thought…”</p>
<p>He lost his balance and fell into the dunk tank.</p>
<p>The stillness extended for several moments.</p>
<p>Then, Roy Orbison breached the surface, gasping for breath, immediately followed by George Harrison. Water and hair cream running down his face from his ruined pompadour, Roy wound up and slapped George Harrison across the mouth. Or, he would have, except Jeff Lynn surfaced in between them and took the slap to the side of his head.</p>
<p>“Ahh, my glass abrasions!”</p>
<p>Jeff power-slapped Roy back, except his mullet fro was wet enough to hang over his eyes, so what he didn’t know was that he was actually facing George, who he slapped hard. George, who couldn’t tell the difference between Roy and Jeff with their wet hair, spluttered in rage.</p>
<p>“Okay, I deserved two for sure, but not three!” He yelled, windmill slapping all around him.</p>
<p>This technique landed sideways slaps on Jeff Lynn, Roy Orbison, and Bob Dylan, who had just then entered a new musical phase where he was obsessed with the music and choreography of synchronized swimming, both aspects he was just then practicing.</p>
<p>“**********” [Dylan gargle-sing, then ooph-spit]</p>
<p>Exacting revenge for his creativity being interrupted, he slapped the first thing he saw, which happened to be Tom Petty’s backside, who, in the excitement, had forgotten about it and was doing a handstand.</p>
<p>He came gurgling to the surface.</p>
<p>“Hey, that rattled my prostate, you salty dog, you.”</p>
<p>The round-robin mutually retributive slapping continued for some time, until finally George Harrison had enough.</p>
<p>“Enough!” He yelled. “I haven’t seen so much grab ass since I didn’t go to that boy’s school my parents couldn’t afford.”</p>
<p>“What?”</p>
<p>Said Tom Petty, who hadn’t been listening, and instead had imagined a cocktail waitress had just said, “Zarglebargle.”</p>
<p>“What’s that?”</p>
<p>Asked Jeff Lynn, pointing to the rock pile behind the dunk tank. The ferris wheel’s collapse had shaken free a false rock, revealing a melon-sized keyhole encased in ice, a cloud of ground-hugging fog pouring gently from it. Jeff shook his head in wonder.</p>
<p>“I’ve never seen anything like it, and I’ve seen a lot of locks, from back in my cat burglar days. Seems like a very modern lock, but what key would possibly fit it?”</p>
<p>“This one.”</p>
<p>Said Tom Petty, holding up a severed clown arm. The Wilburys screamed in horror.</p>
<p>“Oh, sorry, I threw away the wrong thing. This one.”</p>
<p>He said, rummaging around on the ground for, then holding up the large golden key.</p>
<p>Just then, the earth shaking rumble from before started up again. Bits of rock began to fall from the ceiling, and the cement pilings holding up the roof sprouted thick spidering cracks.</p>
<p>“What’s happening?” Wailed Jeff Lynn.</p>
<p>George Harrison quickly assessed the situation.</p>
<p>“The whole cavern is collapsing! The ferris wheel must have been crucial for structural integrity. Ouch!”</p>
<p>Roy Orbison had slapped him again.</p>
<p>“Enough of that for real! We’ve got to find a way out of here!”</p>
<p>“The key!” Tom yelled, who rushed to the freezing key hole.</p>
<p>As he brought the key to it, the red hot letters spelling “Underworld” melted the ice, allowing it to fit smoothly in the lock. Rocks where falling everywhere. A particularly large one smashed the dunk tank, burying it under it’s weight so completely it could have never existed.</p>
<p>“Hurry!” Shouted George, and Tom turned the key.</p>
<p>The floor fell out from under them, sending the whole band down a smooth chute.</p>
<p>“Not again!” Cried Jeff, as the opening was buried beneath falling earth.</p>
<hr>
<p>Far below the sunken fairground, the band untangled themselves from the pile they inevitably found themselves in. They dusted themselves off, and one by one, took in their new surroundings.</p>
<p>They were in another natural cavern, this one clearly formed through aquatic calcification, as evidenced by the numerous stalactites and stalagmites dotting the floor and ceiling. Regularly placed torches provided dancing light, but still obscuring much in shadow. Across the chamber was a large stone alter, a woman tied to it with leather straps. In between was a sea of people in red hooded robes, holding silver goblets, facing the alter, and chanting in an unknown language.</p>
<p>Another, unmistakable sound came from right next to the group. Slowly, they turned. Eddie Money stood beside them, also clad in a red hooded robe, brushing his teeth. He spat into his goblet.</p>
<p>“Hey fellas, how’s it going?”</p>
<hr>
<p>Elsewhere, Connie, Yuna, and Belinda crawled from wreckage, helping each other stand. The collapse of the sunken fairground had caused considerable damage to the stadium, and whole swaths had been swallowed by the earth. The trio of groupies had been unlucky enough to be in one of those areas, and had fallen through to an unfamiliar place.</p>
<p>As they collected themselves, they heard a voice behind them.</p>
<p>“Hi y’all ladies, can I lend a hand?”</p>
<p>Turning, they saw Jeff Lynn and Bob Dylan, hands outstretched, both in their country phase. Taking their hands and taking in their surroundings, they stared in wonder. They were in…</p>

</div>
</details>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/303/dunk-the-clown.mp3" length="15414067.2" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[The Traveling Wilburys fight for their lives and learn the secrets of the molten lava key.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>29:16</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Democracy update</title>
					<link>https://letshearit.network/podcast/democracy-update/</link>
					<pubDate>Fri, 08 Jan 2021 12:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=293</guid>
					<description><![CDATA[Just talking about feelings on the state of the union. Story episode next Friday.]]></description>
					<itunes:subtitle><![CDATA[Just talking about feelings on the state of the union. Story episode next Friday.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																<itunes:title><![CDATA[Democracy update]]></itunes:title>
																<itunes:episode>5</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Just talking about feelings on the state of the union. Story episode next Friday.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/293/democracy-update.mp3" length="5452595.2" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Just talking about feelings on the state of the union. Story episode next Friday.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>10.49</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author update #2</title>
					<link>https://letshearit.network/podcast/author-update-2/</link>
					<pubDate>Fri, 01 Jan 2021 12:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=268</guid>
					<description><![CDATA[Chris talks about the new year and magical implications of the audience suggestion.]]></description>
					<itunes:subtitle><![CDATA[Chris talks about the new year and magical implications of the audience suggestion.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																<itunes:title><![CDATA[Author update #2]]></itunes:title>
																<itunes:episode>4</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris talks about the new year and magical implications of the audience suggestion.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/268/author-update-2.mp3" length="4352152" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris talks about the new year and magical implications of the audience suggestion.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>9:04</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Chapter 3: Subterranean Fairgrounds</title>
					<link>https://letshearit.network/podcast/tell-me-where-im-going-subterranean-fairgrounds/</link>
					<pubDate>Fri, 25 Dec 2020 12:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=242</guid>
					<description><![CDATA[We find out what happens to The Traveling Wilburys after they fell into a stuffed animal basement, what the groupies are up to, and how Eddie Money figures into all of this.

Follow @youtmwig on Twitter to participate.]]></description>
					<itunes:subtitle><![CDATA[We find out what happens to The Traveling Wilburys after they fell into a stuffed animal basement, what the groupies are up to, and how Eddie Money figures into all of this.

Follow @youtmwig on Twitter to participate.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																<itunes:title><![CDATA[Chapter 3: Subterranean Fairgrounds]]></itunes:title>
																<itunes:episode>3</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>We find out what happens to The Traveling Wilburys after they fell into a stuffed animal basement, what the groupies are up to, and how Eddie Money figures into all of this.</p>



<p>Follow <a href="https://twitter.com/youtmwig" data-type="URL" data-id="https://twitter.com/youtmwig">@youtmwig</a> on Twitter to participate.</p>



<details>
  <summary>Story transcript</summary>
  <div>
    <h2 id="chapter-3">Chapter 3</h2>
    <p>“Nah, man, that’s not a killer clown or a stuffed lion.” Said Tom Petty. “I’d know that face anywhere. That’s my old nemesis, Eddie Money!”</p>
    <p>The whole band sighed with relief. Eddie was a generation younger than most of the band, and while he plied a glossier music than the group, he could still hang. As for being Tom’s nemesis, they weren’t worried. Tom was notorious for racking up countless beefs across the music industry &#8211; Brian May, Steve Perry, a teenage Mariah Carey &#8211; so another nemesis was pretty unremarkable. George smiled and patted Eddie on the back.</p>
    <p>“Thank My Sweet Lord it’s you, Eddie. We thought you were a killer stuffed animal clown.”</p>
    <p>The band laughed, except for Tom, who glowered, and Eddie, who remained deadly serious.</p>
    <p>“Drugs are no laughing matter, guys,” croaked Eddie, “You really have to be careful with that stuff, <em>especially</em> blow. One bad line and you’re in serious trouble. Trust me, I would know,” he finished, limping towards the band.</p>
    <p>Tom Petty had already heard just about enough out of his nemesis as he could take, and it was all that he could do to stop himself from yelling at him. In fact, it was less than he could do, since he didn’t stop himself and started yelling.</p>
    <p>“You’re one to get on your high horse and lecture about drugs. You overdosed on a line of bad cocaine, damaging your sciatic nerve, and now you walk with a limp!”</p>
    <p>Eddie nodded soberly.</p>
    <p>“That’s exactly what I was referring to. Boy, did I learn my lesson. Drugs are really dangerous. Just promise me to always make sure your supply is clean before you snort up.”</p>
    <p>The band nodded in agreement with Eddie’s sage advice. Tom, deflated by Eddie’s non-antagonism, stamped huffily to a corner, re-lit his joint, took a drag, kicked a stuffed animal, activating it’s speech box.</p>
    <p>“Be like me, Happy Horse, and love everybody!”</p>
    <p>“Shut up, drugs! You’re supposed to tell me what I want to hear.”</p>
    <p>“Should we be worried about him?” Asked Eddie Money.</p>
    <p>“Nah, he’ll snap out of it soon enough,” replied George Harrison. “What are you doing here, anyway?”</p>
    <p>“And where is here?” chimed in Jeff Lynn.</p>
    <p>“It all started when I played a gig at the stadium upstairs last year. After the show, I naturally made a bee-line for the Zamboni locker. Like most people, my primary way to relax, is smoothing ice rinks. I was going to have the staff freeze the stadium, as if for a hockey game, get an Olympic figure skating team to use it a bunch to scuff it up, and then let me ride a Zamboni over it to sweet, smooth, pristine ice perfection. But I had barely gotten to the Zamboni locker door when the floor dropped out and I ended up here.”</p>
    <p>“The same exact thing happened to us!” Exclaimed Jeff Lynn. “Minus all the stuff about smoothing ice rinks.”</p>
    <p>Eddie’s brow furrowed in genuine concern.</p>
    <p>“You guys aren’t part of Nice Ice Nation? Hold on, I have some pamphlets…”</p>
    <p>“*********,” interjected Bob Dylan, gracefully maneuvering the topic elsewhere without hurting Eddie’s feelings. Jeff Lynn capitalized on the moment.</p>
    <p>“How have you survived down here for a whole year? All I see is stuffed animals.”</p>
    <p>Eddie closed his eyes, nodded slightly, as if patiently dealing with ignorant minds.</p>
    <p>“Yes, there are many stuffed animals in this place, but that is only the surface. There are things <em>beyond</em>. Open your eyes, Wilburys. If you look past the stuffed animals, you will also see…this door.”</p>
    <p>A plain gun-metal gray door sat undisguised along the far wall, next to Tom Petty. The band murmured their admiration for Eddie’s mystical sight.</p>
    <p>“There’s an entire sunken fairground down here,” said Eddie, throwing open the door.</p>
    <p>Pale neon light flooded in through the opening.</p>
    <p>“Follow me, gentlemen,” said Eddie Money, beckoning through the door.</p>
    <p>Before anyone could move, Tom Petty turned on Eddie Money.</p>
    <p>“No way, man! I’m not following you, not here, there, or anywhere! Not after I followed you back in ’77 at the Pantages!”</p>
    <p>“Tom, I honestly have no idea what you’re talking about,” said Eddie.</p>
    <p>“Forked-tongue lies,” shouted Tom, crushing his joint in anger.</p>
    <p>“You know <em>exactly</em> what you did, mister Edward Joseph Mahoney, if that <em>is</em> your real name.”</p>
    <p>“Yeah, it is,” replied Eddie, confused.</p>
    <p>“Edward Joseph Mahoney is my birth name, Eddie Money is my stage name.”</p>
    <p>“Ah ha, so you admit it!” Crowed Tom, triumphantly.</p>
    <p>“Enough!” Shouted George Harrison.</p>
    <p>“Tom, I know you’re famous for your beefs, but I think I speak for everyone when I say, we all want to see the sunken fairground, and your tirade is holding us all up. Now, I can’t tell you how to feel, only Krishna can do that, but you’ve got to bring it down a notch, alright mate?”</p>
    <p>Tom scowled.</p>
    <p>“Alright, fine,” he said in simmering defeat, whipping his crushed joint into the stuffed animals.</p>
    <p>Not wanting to accidentally say something that would set Tom off, Eddie motioned to the door, and the group stepped through.</p>
    <p>Meanwhile, far above, Connie, Belinda, and Yuna, stood in shocked silence. Before them, the door to the Zamboni locker hung ajar, revealing a totally empty room. Not even a Zamboni, which you’d think would be a give in. Also, no Traveling Wilburys.</p>
    <p>“Okay, is my prescription off, or did all the Traveling Wilburys vanish?” Asked Yuna.</p>
    <p>Connie looked at Yuna in surprise.</p>
    <p>“Prescription? I didn’t know you wore contacts.”</p>
    <p>“I don’t, the prescription is for my hyperthyroidism, and one of the side effects is ‘occasional non-perception of persons’.”</p>
    <p>“Far out,” said Belinda.</p>
    <p>Yuna screamed.</p>
    <p>“How did you get there?”</p>
    <p>Connie shook her head.</p>
    <p>“But you’re right, Yuna; the Wilburys did vanish.”</p>
    <p>Belinda licked her lips, nervously.</p>
    <p>“Do you think the clown got them?”</p>
    <p>Connie shook her head again.</p>
    <p>“Nah, there’d be more of a mess.”</p>
    <p>Belinda wasn’t convinced.</p>
    <p>“But what if that clown is more than human…or less. What if he’s an evil spirit, like the legend says, and he snatched the band off to the netherworld?”</p>
    <p>Connie rolled her eyes.</p>
    <p>“Oh come on, Belinda, keep your feet on the ground. I bet this is a rich rock star trick; they must have figured out some new way to get out of dodge <em>instantly</em>. They’re using it get out of their promise! Now which one seems more likely?”</p>
    <p>Yuna nodded, her hoop earrings swinging back and forth.</p>
    <p>“Yes, as much as the supernatural is always in play, how many times has one of these big shots ghosted you?”</p>
    <p>Belinda drooped.</p>
    <p>“Literally every time.”</p>
    <p>Connie gave Belinda a squeeze.</p>
    <p>“Same. Boy this riles me up. Almost makes me want to run around with Guns n’ Roses. Almost.”</p>
    <p>Yuna joined the hug.</p>
    <p>“I guess we’re on our own finding Dixie.”</p>
    <p>Connie broke the hug, clearing her throat, resolve calcifying.</p>
    <p>“Right. The stadium is big, but if we stick together, keep our eyes peeled, and take it step by step, we’ll find our friend.”</p>
    <p>Distracted, Yuna stooped and picked up a small plastic figurine.</p>
    <p>“Hello, what’s this?”</p>
    <p>The figure was roughly made, the seams where the mold was used clearly visible. The face was partially melted, as if it had been held too close to an open flame. Otherwise, it looked like a non-descript Caucasian man.</p>
    <p>Belinda wiped her eyes.</p>
    <p>“Wow, you’re pretty perceptive for someone who occasionally can’t perceive people.”</p>
    <p>Yuna frowned with concentration.</p>
    <p>“This is a facsimile of a person, not an actual person; the medication can tell the difference. I wonder what it means…”</p>
    <p>Connie shrugged.</p>
    <p>“It means some kid lost their toy.”</p>
    <p>Belinda grimaced.</p>
    <p>“What kind of weird kid would have this toy?”</p>
    <p>While they pondered this, far below, The Traveling Wilburys entered the sunken fairground.</p>
    <p>What they saw took their breath away.</p>
    <p>Or maybe it was the smell that did that. The place reeked of fossilized soft serve, permanently damp rubber, impossibly stale popcorn, oxidized iron, and swamp gas. The fairgrounds stretched out before them, rusted and crumbling, a duct-taped money patch away from collapse, which seemed remarkably intact for an abandoned, underground amusement park.</p>
    <p>Untouched by the sun, the grounds were illuminated by light from somehow still powered neon signs, advertising games, rides, and refreshments, casting their subjects in ghostly, multi-colored hues. The skitter and squeak of small, unseen animals blended with an automated voice box, occasionally triggered, imploring the empty grounds to “Step right up,” it’s pitch slowed to demonic tones. Large cement pylons faded away into darkness above, along with a large, creaking ferris wheel.</p>
    <p>The group stood next to a corroded water gun game, the room they had just exited presumably being the prize store room. Eddie shook his head, still amazed, even after being trapped down there for a year.</p>
    <p>“Incredible, isn’t it? It sunk into the Meadowlands after Carmine Sanzari, the land developer, shut the place down because he kept losing at the games. It must have broke through to a natural cavern, and they just built the stadium right on top.”</p>
    <p>“How did you survive down here all this time?” asked Jeff Lynn, who was already regretting having thrown more food at the wall than he ate.</p>
    <p>“Living down here can be tough, but once you get used to it, it’s not half bad.”</p>
    <p>Eddie walked to a smoking trash can, opened the lid to reveal a low fire and a makeshift grill rack inside. He extracted a foul-smelling skewer spearing two small bats, half a large mole, several phosphorescent mushrooms, and a wad of cotton candy.</p>
    <p>“Who knew cotton candy doesn’t expire?” Laughed Eddie.</p>
    <p>“Anyone hungry?”</p>
    <p>No one was. Eddie shrugged.</p>
    <p>“More for me. Well, Ozzy’s up.”</p>
    <p>Eddie toasted the air with his skewer, made the heavy metal sign with his fingers, and bit the head off one of the bats, chewing thoughtfully as he gazed around the fairgrounds.</p>
    <p>“What a crazy place. Amazing. You know, in it’s own way, it’s kind of beautiful.”</p>
    <p>The demoniacally slow voice said “Step right up” again, and Jeff Lynn shivered.</p>
    <p>“I don’t like this place; it gives me the creeps. Come on fellas, let’s get out of here.”</p>
    <p>“That’s just the problem, Jeff,” replied Eddie, sliding the remainder of the bat off the end of the skewer, crunching into it with heavy, practiced bites.</p>
    <p>“We can’t leave. There’s no way out.”</p>
    <p>“Ah ha, another lie!” Cried Tom, pointing accusingly at Eddie.</p>
    <p>“Oh come on Tom, give it a rest,” said George, exasperated.</p>
    <p>“No man, listen! There’s got to be a way back, because that killer clown has been here. Look!”</p>
    <p>Tom pointed to some curly green strands of hair stuck in the door jam.</p>
    <p>“That creep fits right in down here,” he said, looking pointedly at Eddie, who shifted uncomfortably.</p>
    <p>“Yeah, that’s right,” whined Jeff Lynn, looking around furtively.</p>
    <p>“Yuna said the clown was a vengeful spirit of the fair, so maybe he can move around with his ghost powers, but we’re s-s-s-stuck!”</p>
    <p>“Calm down, you scardy cat,” admonished George.</p>
    <p>“With the six of us together, I’m sure we’ll be able to find a way out of here. But first we need to find that clown.”</p>
    <p>“Forget the clown!” Cried Jeff, like a major wuss.</p>
    <p>“Let’s just focus on getting outta here!”</p>
    <p>The band nodded in wussy agreement.</p>
    <p>“I can’t believe what I’m hearing, lads,” said George, pained.</p>
    <p>“What is the Traveling Wilburys code?”</p>
    <p>After a moment’s pause, Tom Petty reluctantly piped up.</p>
    <p>“Back to basics roots rock n’ roll,” he said.</p>
    <p>“Of course, that’s number one,” said George, “And?”</p>
    <p>“*********,” Added Bob Dylan.</p>
    <p>“Always,” confirmed George, “Everyone would do well to remember that one. And?”</p>
    <p>“Oh, Pretty Woman,” said Roy, softly.</p>
    <p>“Absolutely, can’t forget that,” said George. “And?”</p>
    <p>Jeff Lynn sighed.</p>
    <p>“And we always follow a case to the end, no matter what,” he said, glumly.</p>
    <p>“That’s right. Glad that’s settled. Now Eddie, over the year you’ve been stuck down here, have you seen a creepy looking clown with a green curly wig that looks like he would attack a groupie?”</p>
    <p>Eddie stroked his chin, squinting, as if he was trying to excavate his memories with the crease of his brow.</p>
    <p>“It’s not ringing a bell,” he replied.</p>
    <p>“Have you seen <em>anyone</em> while you were trapped down here?” asked George.</p>
    <p>“No, not at all,” replied Eddie immediately.</p>
    <p>“Why did you have to think about having seen a clown when you knew you didn’t see anyone?” screamed Tom Petty.</p>
    <p>“Something fishy is going on here. I’m watching you, Eddie.”</p>
    <p>“Alright Tom, you’ll get your wish,” said George.</p>
    <p>“There’s a lot of ground to cover. We only have a few hours before the tour bus leaves, and you know they don’t wait for anyone, so we’ve got to find and apprehend that clown, figure out what happened to Dixie, escape this underground carnival, and be back on the bus before Early-Bird Earl gets behind the wheel. To pull that off, we’re going to have to split up. Me and Roy will check out the ferris wheel. Bob? Jeff? Scope out the mirror maze. Tom and Eddie, you seem like you have a lot to work out, so you guys team up.”</p>
    <p>“What!” shouted Tom.</p>
    <p>“No ifs ands or whats,” said George.</p>
    <p>“It’s a long shot, but I want you both to look around the Rock n’ Roll Super Death Dunk The Clown pavilion.”</p>
    <p>“Fine,” muttered Tom angrily. He kicked a rock, which ricochetted off a corrugated steel running board, dinged off the smoldering trash can, whizzed through the top of Bob Dylan’s ’fro, nicked the edge of the door jam, and bounced into the stuffed animals in the store room.</p>
    <p>“Be like me, Happy Horse, and love everybody.”</p>
    <p>Tom Petty clutched his head.</p>
    <p>“Enough with the wholesome family messaging, drugs!”</p>
    <p>A short time later, Tom and Eddie walked in awkward silence, Tom hunching his shoulders and glaring at the ground, Eddie closely studying the dilapidated fairgrounds he’d seen hundreds of times already.</p>
    <p>Finally, Eddie spoke.</p>
    <p>“Tom, if this is about that thing at the Pantages, I really don’t know what you’re talking about. I wasn’t even playing arenas that big in ’77.”</p>
    <p>“Oh, really?” said Tom.</p>
    <p>“Is that so? Because your memory has been awfully shaky lately.”</p>
    <p>“Okay, well, care to enlighten me?”</p>
    <p>Tom Petty scoffed.</p>
    <p>“You’re telling me you have no memory whatsoever of you doing your show for an extra half hour, because yeah, I had dropped acid and temporarily thought I was a street food vendor in Honduras? But when I came back mentally, and went to get my gear to go on stage, you were taking vengeance on me for being late by peeing on my guitar? And not just the SG, but all of them? And you wouldn’t lend me any of yours, so I had to play the whole show with wee wee instruments? And the entire front row was crinkling their noses and waving their hands in front of their faces? And I kept getting little shocks because the urine was shorting the electric current in my guitar until my hair was standing on end so it stuck out of the sides of my cowboy hat like a half crushed dandelion puff? And then when I got off stage I found you in the green room peeing into my bowl of weed nuggets and flipping me off? And then I almost tackled you and beat you to a pulp, but instead I had a fast-acting acid flashback and I was in Honduras again making Tortas? And then you peed on those? Ringing any bells?”</p>
    <p>Eddie blinked.</p>
    <p>“No memory of that whatsoever.”</p>
    <p>“Oh, wait, I’m thinking of Linda Ronstadt,” said Tom sheepishly.</p>
    <p>“Sorry man, no hard feelings?”</p>
    <p>Eddie Laughed.</p>
    <p>“None at all. People confuse me and Linda all the time,” he lied.</p>
    <p>By this point, they had arrived at the Rock n’ Roll Super Death Dunk The Clown pavilion.</p>
    <p>“I guess we should have a look around,” said Tom.</p>
    <p>“Yeah, about that,” said Eddie, suddenly seeming nervous.</p>
    <p>“I hate to do this, but I actually need to go. I forgot I have to…brush my teeth. Yeah. Hygiene, you know, so important. Later!”</p>
    <p>Before Tom could react, Eddie was gone, melted away into the tangle of subterranean amusements. Tom scowled, all his anger towards Eddie instantly coming back.</p>
    <p>“What’s the big idea running off like that. Seems mighty fishy. I bet he did pee on my gear, even though now I recall clearly that it was Ronstadt. Surprised I managed to forget that image.”</p>
    <p>Tom grabbed an ancient bean bag and whipped it at the Dunk The Clown target, but missed by a few feet. The bag plunked sullenly into the murky tank. Petty’s grumbling escalated when he found there was nothing else to throw, so he stalked over to the tank to retrieve the bag so he could re-throw it. As he reached for it, he caught a dim reflection of someone behind him in the mud and algae clouded dunk tank water.</p>
    <p>“Eddie, that brush could not have been for the dentist recommended two minutes,” he said, turning, but the words caught in his throat.</p>
    <p>Towering over him was not Eddie Money, but the clown. Sallow complexion, sunken eyes, blank expression, and bright green, curly hair. In one hand the clown held a silver record, sharp edges gleaming, but what really stopped Tom’s breath was what he held in the other. It was…</p>
  </div>
</details>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/242/tell-me-where-im-going-subterranean-fairgrounds.mp3" length="13170257" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[We find out what happens to The Traveling Wilburys after they fell into a stuffed animal basement, what the groupies are up to, and how Eddie Money figures into all of this.

Follow @youtmwig on Twitter to participate.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>27:26</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
									</item>
							<item>
					<title>Author Update #1</title>
					<link>https://letshearit.network/podcast/tell-me-where-im-going-author-update-1/</link>
					<pubDate>Fri, 18 Dec 2020 12:00:00 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=231</guid>
					<description><![CDATA[Chris discusses the trials of writing about Eddie Money in this bonus author update.]]></description>
					<itunes:subtitle><![CDATA[Chris discusses the trials of writing about Eddie Money in this bonus author update.]]></itunes:subtitle>
																<itunes:episodeType>bonus</itunes:episodeType>
																<itunes:title><![CDATA[Author Update]]></itunes:title>
																<itunes:episode>2</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris discusses the trials of writing about Eddie Money in this bonus author update.</p>
]]></content:encoded>
										<enclosure url="https://letshearit.network/podcast-download/231/tell-me-where-im-going-author-update-1.mp3" length="5755496" type="audio/mpeg"></enclosure>
											<itunes:summary><![CDATA[Chris discusses the trials of writing about Eddie Money in this bonus author update.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>11:59</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
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							<item>
					<title>Chapter 1 &#038; 2: The Journey Begins</title>
					<link>https://letshearit.network/podcast/the-journey-begins/</link>
					<pubDate>Sun, 06 Dec 2020 20:55:25 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=199</guid>
					<description><![CDATA[Chris introduces the concept of a collaborative fiction podcast, and shares the first two chapters of his story about an imagined past involving crime, carnivals, and The Traveling Wilburys. 

Follow @youtmwig on Twitter to participate.]]></description>
					<itunes:subtitle><![CDATA[Chris introduces the concept of a collaborative fiction podcast, and shares the first two chapters of his story about an imagined past involving crime, carnivals, and The Traveling Wilburys. 

Follow @youtmwig on Twitter to participate.]]></itunes:subtitle>
																<itunes:episodeType>full</itunes:episodeType>
																<itunes:title><![CDATA[Chapter 1 & 2: The Journey Begins]]></itunes:title>
																<itunes:episode>1</itunes:episode>
																<itunes:season>1</itunes:season>
																<content:encoded><![CDATA[
<p>Chris introduces the concept of a collaborative fiction podcast, and shares the first two chapters of his story about an imagined past involving crime, carnivals, and The Traveling Wilburys. </p>



<p>Follow <a href="https://twitter.com/youtmwig" data-type="URL" data-id="https://twitter.com/youtmwig">@youtmwig</a> on Twitter to participate.</p>



<details>
  <summary>Story transcript</summary>
  <div>
    <h2 id="chapter-1">Chapter 1</h2>
    <p>New Brunswick New Jersey, 1988.</p>
    <p>George Harrison held up his hands triumphantly, grinning at the cheering crowd. The other members of the rock ’n roll super group The Traveling Wilburys unslung their instruments, sauntering off stage to thunderous applause.</p>
    <p>Artificial fog swirled around their statement boots, curling over the edge of the stage, tumbling below it, over thick black wires and impenetrable support beams, collecting in a dark subterranean backstage ally.</p>
    <p>“Hello?”</p>
    <p>The woman’s voice echoed strangely &#8211; too much reverberation for the size of the place. The fog completely covered her high heels, leaving the only trace of their presence the clack of her footfalls which mixed with the dull sound of the crowd above. She sighed, stretched her back, rolled her gum to one side.</p>
    <p>“Rodney told me this is where to get back stage passes. Is anyone there?” She called a little louder, peering ahead, “Or maybe it wasn’t Rodney…” She continued, fishing in her hand bag and retrieving a crumpled piece of paper. She squinted at it, pulling reading glasses from her low cut top. “Yeah, I was right, Rodney. Rodney Greenfield sent me. I don’t know if I’m talking to anyone.” She looked up.</p>
    <p>A figure shrouded in smoke and shadow stood at the opposite end of the hall. The woman took off her glasses, let them dangle from their chain. The only thing she could make out at this distance was his curly mop of green hair.</p>
    <p>She suppressed a grimace, hoping the weird hair didn’t foretell weird requests; weird requests were always very specific, and that took a while. She really wanted to catch the one thirty bus home. If she could, she could squeeze in five hours of sleep before work tomorrow. She pushed up a smile.</p>
    <p>“You must be Sidney,” she said, making sure to cross her legs one over the other as she advanced, even though it made her back twinge. “I’m Dixie,” she lied, “And I’m interested in backstage passes, so if you wanna drop those drawers,” she cracked her gum, stopping in front of him, “We can get started.”</p>
    <p>The figure didn’t move for a moment. Then a moment longer, the only sound the occasional snap of Dixie’s gum. Her smile slowly wilted into a frown of impatience.</p>
    <p>“Hello?” She asked.</p>
    <p>“Hi there,” the figure replied in a high voice, then stepped into ghost light filtered from the stage. His face was pale and round, tight lips drooping in a bow, ice blue pinholes staring from sunken eye sockets. He raised a silver-plated record, light glinting off it’s sharpened edge, reflecting off Dixie’s unworn glasses. She squinted. “Wait, are you the merch guy?”</p>
    <p>She barely had time to register surprise as the figure brought the record down, cutting off her last syllables. The fog wrapped around, tucking her away, the thud of her fall drowned out by the steady beat of convert-goers marching out far above.</p>
    <h2 id="chapter-2">Chapter 2</h2>
    <p>All five members of the Traveling Wilburys charged into the brightly lit green room, patting each other on the back, talking loudly, and grabbing mini pizzas, sandwich halfs, and handfuls of pretzels and M&amp;Ms.</p>
    <p>George Harrison popped a battered cauliflower into his mouth, talking through his chews.</p>
    <p>“Great show lads, we were really in the pocket. Those harmonies were tight.”</p>
    <p>Jeff Lynn replied from under a cocked eyebrow.</p>
    <p>“I love a tight harmony, but right now I’m looking for a tight something else, if you sniff my wiff.”</p>
    <p>The band guffawed and nudged each other proudly &#8211; these guys got sex humor.</p>
    <p>“Man, I know we’re all getting up there,” said Tom Petty, “And none of us draw like we used to. Our fans have aged with us. But the album’s a smash hit, and tonight the audience was young, man. Young. We’re gonna make out good tonight.”</p>
    <p>The band cheered. Just then, their roadie, Hank, popped his head in.</p>
    <p>“I heard the back half of that conversation fellas,” he said, “and I’ve got a little surprise I think you’re gonna like. There’s a very young fan here who would do anything to meet you all.”</p>
    <p>The band’s collective eyebrows waggled as they crowded around the door.</p>
    <p>“May I present…” Hank said with a flourish, throwing open the door, “Little eight year old Timmy Johnson!”</p>
    <p>A small boy wearing thick glasses and smeared in prepubescent acne stood in the doorway. “Wow!” he cried, “The Traveling Wilburys!” The whole band sagged.</p>
    <p>“Hi,” said George Harrison, shooting a dirty look at Hank, who confidently misinterpreted it, touching the side of his nose. Roy Orbison wistfully buckled his pants.. Roy Orbison wistfully buckled his pants.</p>
    <p>“I can’t believe I’m in a room with The Traveling Wilburys.” Cried Timmy. “You guys are the best super group ever! You’re all amazing solo, but together you’re somehow more than the sum of your parts. Except, each part is a music legend. Like you! You’re George Harrison! You’re my favorite Beatle. I listen to your music all the time. My favorite album of yours is Dark Horse.”</p>
    <p>“Really?” asked George, impressed, “Nobody bought that record.”</p>
    <p>“Oh, I did.” Timmy continued, “That song Ding dong ding dong is poetry. And you!” He shouted, pointing, “You’re Tom Petty, from Tom Petty and the Heartbreakers!”</p>
    <p>Petty scowled unconvincingly from under his black, wide-brimmed hat.</p>
    <p>“Hey kid,” he croaked, coughing.</p>
    <p>“You’re song Refugee, it’s like it was written for me.” Timmy fawned.</p>
    <p>“Oh, cool,” Tom replied, bemused. “How old did you say you were again?”</p>
    <p>Timmy ploughed on, not hearing. “You! You must be Roy Orbison! I mean, what can you say? Your voice moves me to my core. And honestly, I know it was written long before I was born, but the story arc of Oh, Pretty Woman! Could have been about my last Thursday.” The raven-haired crooner sat expressionless behind his dark sunglasses, staring down Timmy. A slack-jawed Timmy stared back.</p>
    <p>A moment passed.</p>
    <p>Another.</p>
    <p>Another.</p>
    <p>Another.</p>
    <p>Another.</p>
    <p>Another.</p>
    <p>Another.</p>
    <p>“I also like Cannibal Corpse,” Timmy admitted, blinking furiously. Roy nodded, satisfied.</p>
    <p>“Well, Timmy, I am very impressed,” said Jeff Lynn, jumping in, “You sure know you’re rock history.” He grinned, expectantly.</p>
    <p>“Thanks!” shouted Timmy cheerfully. “I have no idea who you are.”</p>
    <p>Jeff’s grin vanished. “Seriously? I’m Jeff Lynn. From The Electric Light Orchestra? We had a bunch of hits. Living Thing? Xanadu? Don’t Bring Me Down?” Timmy stared blankly. “Oh come on, you knew Dark Horse but not me? I do a lot of producing!” He yelled, whipping a tomato and olive tapenade smothered cracker at the wall.</p>
    <p>Unperturbed, Timmy broke into a wide smile. “Hey, what’s your dog’s name?” The band gaped wide-eyed at Timmy. Timmy shifted uncomfortably, “What?” He asked.</p>
    <p>“That’s not our dog,” screeched Tom Petty, “That’s Bob Dylan!”</p>
    <p>The poetry and music legend lifted his head, staring out from droopy eyebrows and thick matted hair.</p>
    <p>“************,” said Bob, wryly.</p>
    <p>“You said it, Bob,” said George.</p>
    <p>“Alright, Timmy, I think it’s time to go,” interjected Hank, ushering Timmy out.</p>
    <p>“Okay, catch you all later. I’ll be following you the whole tour!” Yelped a happy Timmy as he was removed sternly from the room.</p>
    <p>While the door was open for Hank to extract the youth, he noticed three women in skin tight outfits, heels in hand, running down the corridor towards him.</p>
    <p>“Hold the door! We need to see the band!” Screamed the fastest, frantically waving her red stiletto heels. Hank rolled his eyes, shooing Timmy away.</p>
    <p>“Sorry ladies,” Hank sounded bored, “But the fellas aren’t interested.” He slammed the door.</p>
    <p>“Who was that?” Demanded Jeff Lynn. Hank shook his head, amused.</p>
    <p>“Just some desperate-looking groupies, but don’t worry guys, I told them to get lost,” said Hank, giving everyone a thumbs up.</p>
    <p>“What!” The entire band cried in unison. Tom Petty threw open the door, the three women outside practically falling into the room.</p>
    <p>“My apologies,” said George Harrison, bowing slightly, “Please, come in.”</p>
    <p>“Thank you,” said the women who had spoken before, dusting herself off.</p>
    <p>“It is an absolute pleasure to meet you ladies. What are y’alls names?” Asked Tom.</p>
    <p>“We’ve actually met before. Connie, from Fort Worth. We had a few passionate nights back in ’74. And this is Belinda and Yuna. George, Belinda is one of the few people to hook up with you on the set of Life of Brian, and Bob, back in Greenwich Village you and Yuna…”</p>
    <p>“************” said Bob Dylan, enthusiastically.</p>
    <p>“You remembered!” Laughed Yuna, “I’ll never look at pastrami the same way again.”</p>
    <p>“Well ladies?” Tom Petty said, “Shall we party?” Everyone giggled flirtatiously, until Connie shook her head, like she was shaking off a spell.</p>
    <p>“No!” She yelled, “We’re not doing anything until we find our friend.”</p>
    <p>“God damn it!” Screamed Jeff Lynn, flinging a seven layer dip into the air conditioner. Roy Orbison pulled up his pants, a tear welling in his eye.</p>
    <p>“Who is you friend, maybe we know her?” Asked George.</p>
    <p>“She goes by Dixie, but that’s not her real name,” replied Yuna, “We’re really worried about her. She went off to get us backstage passes, and never came back. We investigated where we saw her go, and found what we’re sure is a blood stain.”</p>
    <p>“Even if it was blood,” said Tom Petty, skeptical, “how do you know anything bad happened? Maybe a crew guy cut himself and Dixie’s off with him now.”</p>
    <p>“No way,” said Connie forcefully, “Dixie &#8211; not her real name &#8211; would never leave us like that without saying where she’s going. Besides, we also found this.”</p>
    <p>She pulled a clump of bright green hair from her handbag.</p>
    <p>“So what?” Scoffed Jeff Lynn, scowling.</p>
    <p>“So what? So what?” Cried Yuna. “So this stadium was built on an ancient circus fairground! It was built over when a wealthy real-estate developer got angry that he wasn’t winning at the games. They say the ghost of the dunk tank clown still haunts the place, seeking vengeance on the living!” She waved the green hair, “Please, you have to help us!”</p>
    <p>“I don’t know,” said Tom Petty, “This all sounds like a bunch of malarkey. We’re a band of science, you know.”</p>
    <p>“Yeah, exactly,” agreed Jeff Lynn, “There’s no way I’m getting mixed up in this.”</p>
    <p>George Harrison looked around the room, amazed. “Come on lads, malarkey or no, these are people who need our help! Ask yourselves, what would the Maharishi do?”</p>
    <p>The others groaned, muttering unkind accuracies under their breath.</p>
    <p>“**************” Piped up Bob Dylan. George Harrison sighed with relief.</p>
    <p>“Thank you, Bob, very well said. Well, it looks like it’s two and two. You’re the tie breaker Roy, as usual.”</p>
    <p>All eyes turned to Roy Orbison.</p>
    <p>Slowly, he lifted his head, pulled off his signature dark sunglasses, and opened his eyes. Softly, so everyone had to lean forward to hear it, he said, “Only the lonely,” and replaced his sunglasses.</p>
    <p>The group sat in appreciative silence, soaking in his wisdom. Roy’s meaning was clear, and the whole band respected his decisions, even if they were on the opposing side.</p>
    <p>“Alright, it’s decided,” said Tom Petty, “We’ll take the case!”</p>
    <p>The groupies cheered.</p>
    <p>“Well what now? We don’t have any other leads,” grumped Jeff Lynn, “Other than the hair, how do we even know what this guy looks like?”</p>
    <p>“He looks like that!” Shouted Connie, pointing out the window. The band rushed to look, and saw a loping green-haired man darting across the empty stage below.</p>
    <p>“After him!” Yelled George.</p>
    <p>The band sprinted out the door, and after a muddled confusion navigating the staircase, they burst onto the stadium floor below just in time to see the clown disappear behind a black staff door.</p>
    <p>“We’ve got him now!” said Tom Petty, “That’s the Zamboni storage locker; it’s a dead end!”</p>
    <p>The group ran over, arriving out of breath in front of the door. Grinning with a wildness that verged on blood-lust, Jeff Lynn flung open the door. Or, tried to. As his hand turned the knob, the floor fell out from under them, and they plummeted into darkness.</p>
    <p>They landed on something surprisingly soft, but irregularly shaped. The band groaned, catching their breath. They couldn’t see a thing.</p>
    <p>“Where are we?” asked Jeff Lynn, shook up.</p>
    <p>“Anyone got a light?” asked Tom Petty, sounding fine.</p>
    <p>A lighter sparked, followed by a steady yellow flame, framing the five musicians faces against the darkness.</p>
    <p>“Far out,” said Tom, and the light went out.</p>
    <p>“Where’d the light go?” George cried, panic rising.</p>
    <p>“I put it out, I already lit my joint,” Tom replied, sounding sensible.</p>
    <p>“**************!” Yelled Bob Dylan.</p>
    <p>“Alright, fine, fine, don’t have a cow. Lite it again.”</p>
    <p>The room was once more dimly illuminated, and as their eyes adjusted they could make out that they had fallen into a pile of stuffed animals.</p>
    <p>“Whoa, what’s with the plushy zoo?” Asked Tom.</p>
    <p>“I don’t know lads,” said George, “But one of those stuffed lions is walking toward us.”</p>
    <p>“That’s not a stuffed lion!” cried Jeff Lynn, “That’s a killer c-c-c-clown!”</p>
    <p>“Nah, man, that’s not a killer clown or a stuffed lion. I’d know that face anywhere. That’s…”</p>
  </div>
</details>

]]></content:encoded>
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											<itunes:summary><![CDATA[Chris introduces the concept of a collaborative fiction podcast, and shares the first two chapters of his story about an imagined past involving crime, carnivals, and The Traveling Wilburys. 

Follow @youtmwig on Twitter to participate.]]></itunes:summary>
															<itunes:explicit>clean</itunes:explicit>
					<itunes:block>no</itunes:block>
					<itunes:duration>22:20</itunes:duration>
					<itunes:author>Chris DeLuca</itunes:author>
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							<item>
					<title>Trailer &#8211; Tell Me Where I&#8217;m Going</title>
					<link>https://letshearit.network/podcast/trailer-tell-me-where-im-going/</link>
					<pubDate>Sun, 25 Oct 2020 19:38:43 +0000</pubDate>
					<dc:creator>Chris DeLuca</dc:creator>
					<guid isPermaLink="false">https://letshearit.network/?post_type=podcast&#038;p=153</guid>
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																<itunes:episodeType>trailer</itunes:episodeType>
																<itunes:title><![CDATA[Trailer]]></itunes:title>
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															<itunes:explicit>clean</itunes:explicit>
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					<itunes:author>Chris DeLuca</itunes:author>
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